Canto: Flex Ensemble Conductor Score & Parts
By Francis McBeth / Arranged by Clarence Barber
Grade: 2
Item: 35-PK00679944
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Canto - Full Score | $15.00 | |
| Canto - Flute 1 | $2.50 | |
| Canto - Violin-Oboe 1 | $2.50 | |
| Canto - Clarinet 1 | $2.50 | |
| Canto - Trumpet 1 in Bb | $2.50 | |
| Canto - Clarinet 2 | $2.50 | |
| Canto - Trumpet 2 in Bb | $2.50 | |
| Canto - Alto Sax 2 | $2.50 | |
| Canto - Violin 2 | $2.50 | |
| Canto - Clarinet 3 | $2.50 | |
| Canto - Alto Sax 3 | $2.50 | |
| Canto - Tenor Sax 3 | $2.50 | |
| Canto - Horn 3 in F | $2.50 | |
| Canto - Violin 3 | $2.50 | |
| Canto - 3rd Viola | $2.50 | |
| Canto - Tenor Sax 4 | $2.50 | |
| Canto - Horn 4 in F | $2.50 | |
| Canto - Tromb-Euph-Bassoon-Cello 4 | $2.50 | |
| Canto - Euphonium T.C. | $2.50 | |
| Canto - Bass Clarinet | $2.50 | |
| Canto - Baritone Sax 5 | $2.50 | |
| Canto - Trombone/Euphonium 5 | $2.50 | |
| Canto - Bassoon/Cello 5 | $2.50 | |
| Canto - Euphonium TC 5 | $2.50 | |
| Canto - Tuba 5 | $2.50 | |
| Canto - Timpani | $2.50 | |
| Canto - Snare Drum/Bass Drum | $2.50 | |
| Canto - Woodblock | $2.50 | |
| Canto - Triangle | $2.50 |
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Description
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More about this title
About the Composer: Francis McBeth
Francis McBeth (1926-2017) was a prolific composer and arranger whose output shaped the concert band repertoire for generations of students. His gift lay in writing music that sounded ambitious and rewarding while remaining accessible to young players, making him a trusted voice in junior high and high school music programs across North America.
McBeth's compositions emphasized clear orchestration, memorable melodic content, and logical harmonic development. His work demonstrates how effective writing for developing ensembles requires nothing more than understanding what works instrumentally and respecting the players' growth as musicians.
Why we love this
Clarence Barber's flex arrangement opens up a Grade 2 McBeth original to any ensemble configuration you have on any given day, which solves the persistent scheduling puzzle without sacrificing the character of the piece. The writing stays true to McBeth's clarity and musicality while accommodating genuine instrumentation flexibility.
What to expect
Straightforward and song-like, with the kind of melodic integrity that young players recognize and respect. The harmony supports rather than complicates the forward motion, creating a piece that feels honest and ungimmicky to perform.
Who it's for
Directors managing changing roster sizes across semesters, middle school programs with fluctuating instrumentation, or any ensemble that refuses to sit players out when a piece doesn't fit the current configuration. This works equally well for flex bands, honor ensembles pulling from multiple schools, or programs introducing students to standardized contest literature.
How to get the most out of it
- Balance the melodic line across whoever carries it; in a flex setting, that responsibility shifts between sections, so rehearse those handoffs explicitly until they feel seamless.
- Approach the harmonic rhythm as the organizational skeleton. Once your ensemble locks that pulse, solo passages and counter melodies fall into place naturally.
- Treat the optional percussion as an enhancement rather than a necessity. The piece stands on its own without it, so add percussion only if your balance and rhythmic clarity are already secure.
How to use it
Use this as an opener in a concert when you need something that showcases your ensemble's musicianship without technical demands that overshadow style and phrasing. It also serves as ideal material for contest preparation, especially when your instrumentation is still solidifying weeks before the performance.
Skills your students will build
- Balancing a melodic line across mixed instrumental sections
- Reading flexible instrumentation notation and transpositions
- Ensemble blend when the section carrying the theme changes measure to measure
- Sustaining harmonic support voices over multi-bar phrases