Canticle V: The Death of St. Narcissus Cover Image

Canticle V: The Death of St. Narcissus: Tenor Voice Book

$16.99 USD
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Canticle V: The Death of St. Narcissus Cover Image

Canticle V: The Death of St. Narcissus: Tenor Voice Book

By Benjamin Britten

Level: Intermediate

Item: 12-057150230X

$16.99
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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50230-X
ISBN13: 978-0-571-50230-1
UPC: 9780571502301
SKU: 12-057150230X
Instrumentation: Harp

More about this title

About the Composer: Benjamin Britten

Benjamin Britten (1913-1976) shaped modern British music through his gift for vocal writing and his refusal to separate art music from accessibility. He composed with extraordinary sensitivity to the human voice, whether writing for children, professional soloists, or amateurs, and his instrumental textures always served the text with clarity and purpose. His Five Canticles stand among the most important mid-century works for solo voice, each pairing a tenor or soprano with a single instrument in miniature chamber music of remarkable depth.

Why we love this

Britten's setting of T.S. Eliot's poem creates an intimate spiritual landscape that challenges singers without overwhelming them. The harp writing is luminous but never decorative; it surrounds the voice with color while maintaining the clarity needed for text projection. This is the kind of twentieth-century work that opens ears rather than closing them.

What to expect

Quiet, meditative, shot through with moments of unexpected intensity. The harp glimmers around you while you carry the weight of Eliot's vision, and the piece never rushes; it unfolds with the inevitability of ritual or prayer.

Who it's for

Intermediate tenor soloists ready to explore twentieth-century masterworks with real substance. This suits advanced high school singers, college voice majors, and professional singers building a chamber repertoire beyond the standard art song canon.

How to get the most out of it

  • Let the harp establish the harmonic world before your entrance; listen carefully to find your pitch center, as Britten's tonality drifts with purpose throughout the piece.
  • Shape the melodic line by phrase rather than by bar line. The accompaniment will follow your breath and sense of architecture.
  • Approach the text as narrative: you are witnessing a moment of spiritual transformation, not performing an emotional display.

How to use it

Position this as a centerpiece in a recital exploring twentieth-century vocal music, or pair it with other Britten Canticles if you're building a larger concert. It also works beautifully on a program mixing classical and contemporary art song, where it will remind audiences that modern music can be both intellectually rigorous and deeply moving.

Skills your students will build

  • Navigating twentieth-century harmonic language and tonal ambiguity
  • Sustaining phrasing across longer melodic arcs without relying on regular metrical signposts
  • Interpreting text-painting and symbolism in contemporary vocal music
  • Listening actively to an unfamiliar accompaniment texture and maintaining pitch center
  • Building interpretive depth in a through-composed form

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