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Canticle: Violin Score

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Canticle Cover Image

Canticle: Violin Score

By Sidney Corbett

Level: Advanced

Item: 98-EP14708

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Description
Canticle was commissioned by Drake University for my close friend, the violinist Sarah Plum. Sarah and I have collaborated many times over the more than two decades of our friendship. So when Sarah asked me about a piece inspired by one of the six Bach solo sonatas for violin I was of course thrilled, but also a little nervous, these Bach pieces being so familiar and so overwhelming in every way. I chose the A minor, a piece I particularly love. At the time of writing this piece I had just finished reading David Foster Wallace's 'Everything and More: A Concise History of Infinity'. Wallace is of course best known as a novelist, particularly for his expansive 'Infinite Jest' but he studied as a mathematician and his historical survey of mathematicians' search for a way to grasp the concept of infinity in mathematics also led to considerations of irregular symmetries and infinite recursives in music. Of course, Bach's music is also fertile ground for such considerations so in writing my piece I had these ideas in mind. The external architecture of my piece follows closely the structure of the Bach model but of course in all other things the music follows only my own imagination. Canticle is dedicated to Sarah Plum.

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Additional Details
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-577-02567-8
ISBN13: 979-0-577-02567-4
SKU: 98-EP14708

More about this title

About the Composer: Sidney Corbett

Sidney Corbett is a composer whose work engages with both mathematical and musical abstraction. His interests span from the intricate symmetries found in Bach's architecture to concepts of infinity and recursion, which have directly shaped his compositional thinking. Corbett's collaborative relationships with performers, including a decades-long partnership with violinist Sarah Plum, drive much of his creative output and have resulted in commissioned works that merge scholarly inquiry with practical musicianship.

Why we love this

This piece offers advanced violinists a genuinely ambitious encounter with Bach without resorting to direct transcription. Corbett's architectural fidelity to the A minor solo sonata creates structural coherence while his harmonic language and compositional voice diverge in ways that demand real interpretive choice. The intellectual rigor underlying the work, rooted in mathematical and recursive thinking, gives performers something substantial to discover across repeated rehearsals.

What to expect

Canticle inhabits a space between homage and transformation. It carries the weight and formal gravity of Bach while unfolding through its own harmonic logic, creating moments of recognition alongside genuine surprise. The music feels both structured and exploratory, grounded in classical tradition yet reaching toward something harder to name.

Who it's for

Advanced violinists who seek repertoire that engages both technical facility and intellectual curiosity. This work demands secure command of the instrument and the maturity to live with ambiguity and complexity across a substantial single movement.

How to get the most out of it

  • Study the underlying Bach sonata alongside this score. Understanding Corbett's structural relationship to his model will clarify which musical decisions are architectural versus purely his own, shaping how you voice transitions and phrase continuities.
  • The printed score is essential here; score study before tackling the violin part at the instrument will save rehearsal time and deepen your grasp of harmonic function across the 20-page work.
  • Attend to irregular metric or rhythmic patterns that emerge from recursive compositional thinking. These moments will require deliberate attention in practice and may initially feel awkward; that awkwardness often contains the compositional intention.

How to use it

Feature this in a recital program exploring relationships between historical models and contemporary composition. It pairs naturally with performances of the Bach A minor sonata itself or sits alongside other 21st-century works that engage baroque architecture. Consider programming it as a centerpiece for a solo violin concert aimed at discerning listeners.

Skills your students will build

  • Interpreting harmonic language that diverges from Classical/Romantic conventions
  • Understanding structural design through comparative analysis with a historical model
  • Navigating irregular rhythmic or metric patterns derived from recursive compositional techniques
  • Sustaining musical architecture across an extended single-movement form
  • Developing independent interpretive choices within a work of intellectual complexity

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