Cantate Et Exultate Sheet Music Preview

Cantate Et Exultate: 2-Part Choral Octavo

Arranged by Ken Berg

Item: 35-DS00252830

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00252830

More about this title

About the Arranger: Ken Berg

Ken Berg has built a reputation as an arranger who understands the practical needs of working choirs. His arrangements balance musical substance with accessibility, making them staples in school and community choral programs across the country.

Why we love this

Berg's arrangement respects the text while maintaining musicality across two parts, giving singers real harmonic interest without overwhelming inexperienced ensembles. The seven pages move purposefully, creating a piece that feels complete rather than abbreviated.

What to expect

Cantate Et Exultate invites singers into a bright, celebratory space. The writing has clarity and buoyancy, with the Latin text lending an earnest, almost processional quality to the music.

Who it's for

This arrangement works for treble choirs, mixed ensembles with limited male singers, or developing choirs building toward four-part writing. It fits both sacred concert contexts and liturgical settings.

How to get the most out of it

  • Clarify the text from the first rehearsal; sacred Latin texts demand precise diction to land their meaning and weight.
  • Balance the two parts as equal voices rather than treating one as accompaniment, especially in passages where they move independently.
  • Shape phrases with the text's natural breathing rather than forcing uniformity across all singers.

How to use it

Slot this into a spring or Easter concert where you need a shorter sacred work that doesn't require a large ensemble. Its accessible two-part writing also makes it useful for warming up a mixed choir before tackling more complex repertoire.

Skills your students will build

  • Singing in Latin with proper text pronunciation and vowel consistency
  • Maintaining independent lines while listening to harmonic counterpart
  • Shaping longer phrases with textual understanding rather than breath marks alone
  • Balancing blend and projection in a two-part texture

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