Candle On The Water (from Pete's Dragon) (arr. Ed Lojeski) Sheet Music Preview

Candle On The Water (from Pete's Dragon) (arr. Ed Lojeski): SSA Choral Octavo

As performed by Helen Reddy / Arranged by Ed Lojeski

Item: 35-DS00131766

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00131766

More about this title

About the Artist: Helen Reddy

Helen Reddy became an international recording star in the 1970s, known for her powerful alto voice and songs that resonated across pop, country, and adult contemporary formats. Her 1974 performance of "Candle On The Water" for Pete's Dragon showcased her ability to convey warmth and reassurance through song, qualities that made her a trusted presence on film soundtracks and in concert halls alike.

Why we love this

Ed Lojeski's SSA arrangement captures the gentle intimacy of this iconic film ballad while making it accessible to developing singers. The straightforward part writing never sacrifices musical beauty, and the recorded accompaniment gives singers confidence to focus on phrasing and ensemble blend rather than fighting to find their notes.

What to expect

Gentle and hopeful, with a quiet confidence that speaks to uncertainty and reassurance in equal measure. The melody unfolds with an almost hymn-like quality, inviting singers and listeners alike into a moment of reflection and trust.

Who it's for

Choirs seeking repertoire that combines emotional maturity with technical accessibility, particularly directors building programs for spring or holiday concerts. This arrangement works well for ensembles comfortable with four or more parts but not yet ready for complex chromatic writing or extended ranges.

How to get the most out of it

  • Let the opening section breathe with space between phrases; resist the urge to rush into the refrain.
  • Balance the melody between first and second sopranos during the verse sections, ensuring listeners hear a cohesive line rather than competing voices.
  • Shape each repetition of the main text with subtle dynamic variation so the piece builds naturally without sudden leaps in volume.
  • Use the alto part as an anchor; Lojeski's writing gives altos meaningful material that supports harmonic clarity and allows them to feel connected to the ensemble.

How to use it

Place this during a set focused on film and television music, or feature it as a contrast piece between more energetic selections. Its eight pages and moderate difficulty make it suitable for a mixed concert featuring both secular and sacred repertoire, working especially well after a brief spoken introduction about the film's themes.

Skills your students will build

  • Legit vocal line control in a songlike, non-operatic style
  • Sustained pianissimo singing with clear diction
  • Blend and balance in a three-part texture with doublings
  • Phrasing awareness in a ballad form with repetition

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