Can You Keep A Secret? Sheet Music Preview

Can You Keep A Secret?: 2-Part Choral Octavo

By Herb Frombach / By Valerie Crescenz

Item: 35-DS00165435

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00165435

More about this title

About the Composer: Herb Frombach

Herb Frombach

Herb Frombach brings decades of classroom experience to his compositional work. A music education graduate from Indiana University of Pennsylvania, he spent his teaching career leading high school ensembles and church choirs before transitioning to freelance composition and piano technology.

With over 200 published compositions and texts to his name, Frombach understands what works in rehearsal and what resonates with singers. He now resides in southeastern Pennsylvania with his wife Sandra, continuing to write music that balances musical substance with practical teachability.

Why we love this

This piece captures the playful humor of the text while remaining accessible for developing two-part choirs. Frombach and Crescenz craft a setting that never feels condescending, giving singers genuine musical moments to sink their teeth into even within a simpler voicing structure. The 10-page length keeps rehearsal time efficient without sacrificing the satisfaction of a complete, polished performance.

What to expect

Conversational and intimate, this setting invites listeners into a moment of conspiratorial fun. The music unfolds with lightness and charm, never overcomplicating the melodic lines while maintaining enough harmonic interest to reward careful listening.

Who it's for

Middle school and high school choirs with limited two-part experience benefit most from this work. Its approachable harmony and engaging text make it equally valuable for mixed ensembles building unison strength or for treble choirs seeking material with personality and musical merit.

How to get the most out of it

  • Lean into the conversational quality of the text. The singers should sound like they're sharing a secret with the audience, not presenting information from a stage.
  • Balance clarity of text projection with musical line. Young singers often sacrifice phrase shape when focusing on diction; remind them that good storytelling relies on both.
  • Let the two parts breathe independently. Even in moments where they move together, maintaining distinct voice leading prevents the arrangement from sounding muddled.

How to use it

Position this early in a winter or spring concert to establish an approachable mood without sacrificing musical credibility. Its modest demands on preparation time make it ideal for the middle section of a program, giving your ensemble a moment to relax while their solid musicianship shines through.

Skills your students will build

  • Part independence in two-voice textures
  • Text clarity and diction in storytelling
  • Phrase shaping within shorter, manageable lines
  • Musical balance between ensemble blend and individual voice projection

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