Can't Take My Eyes Off Of You (from Jersey Boys) (arr. Ed Lojeski): SAB Choral Octavo

Ed Lojeski's arrangement captures the irresistible appeal of this standard without overcomplicating the vocal writing. The SAB voicing sits comfortably across mixed ensembles while preserving the song's infectious charm and harmonic sophistication. Programming a beloved popular song this well-crafted gives singers genuine material to sink their teeth into, not a watered-down novelty.

Effusive and joyful, with a gentle romanticism that never tips into sentimentality. The arrangement captures the earnest, almost naive quality of the original while giving contemporary singers something musically substantial to perform. It's the kind of piece that lands with immediate warmth and leaves audiences smiling.

Any mixed choir looking to connect with singers and audiences through genuinely fun, harmonically sophisticated pop repertoire. This works equally well for high school ensembles exploring show tunes, community choirs seeking accessible crowd-pleasers, and college groups wanting to vary their season programming. The accessible voicing and immediately recognizable melody make it an excellent choice for singers still developing their blend and intonation skills.

• Balance the melody line so it projects over the harmonic backdrop; this song thrives when the lead voice stays prominent but never strident.
• Lock the rhythmic precision of the accompaniment early in rehearsal. The Four Seasons' style depends on crisp, cohesive rhythmic playing.
• Shape the phrasing through the harmonic progressions rather than stopping at bar lines. Let the chords guide your breath placement and emotional arc.
• Explore the dynamic range available in this arrangement. The bridge offers opportunities to build energy that makes the final chorus land with real impact.

Consider pairing this with other pop standards or show tunes to create a lighter concert section that showcases your ensemble's versatility and range of styles. The 11-page length makes it substantial enough to anchor a program segment without overwhelming your rehearsal schedule. This also works beautifully as an encore or lighter moment in a concert heavy with classical repertoire.

• Balancing melody against harmonic accompaniment in three-part texture
• Phrasing through harmonic changes rather than metric patterns
• Performing pop and contemporary music with vocal precision and blend
• Rhythmic ensemble cohesion in styles outside the classical tradition
• Connecting emotionally with accessible, familiar material