Can't Take My Eyes Off Of You (from Jersey Boys) (arr. Ed Lojeski): SATB Choral Octavo

Ed Lojeski's arrangement brings this iconic 1960s hit into the choral repertoire with genuine care for both the original's character and the practical needs of SATB ensembles. The arrangement preserves the song's irresistible melodic hook while creating rich harmonic layers that give every voice part something genuinely singable, making it equally rewarding for your ensemble and your audience.

Earnest and charming, this arrangement captures the guileless directness of the original while adding harmonic sophistication that feels fresh on every listen. It's got the warmth of 1960s vocal blend combined with the polish of professional arranging, creating something that feels both familiar and newly discovered.

This works beautifully for intermediate and advanced choirs seeking genuinely enjoyable material that doesn't sacrifice musicianship. It's ideal for groups comfortable with moderate rhythmic independence and seeking a crowd pleaser that still respects the singers' abilities.

• Balance the soprano line with the alto and tenor parts; this song lives in the supporting harmonies as much as in the melody. If the lead voice overshadows the rest, the arrangement loses its fullness.
• Commit to consistent vowel shapes across the ensemble, particularly on the sustained notes. Valli's style depends on clarity and purity of tone.
• Shape the phrase endings with gentle pulls inward rather than diminuendos. This maintains the song's forward energy even as phrases conclude.
• Use the recorded accompaniment to lock the rhythmic feel, but don't let it control your tempo. Find the pocket where your choir feels natural.

Position this in a medley or set alongside other American pop standards to create a concert section that entertains without losing musical credibility. Its familiarity makes it a natural bridge between classical repertoire and contemporary music, or a memorable closing number when you want audiences leaving happy.

• Balancing melody against sustained harmonic parts
• Maintaining rhythmic precision in pop-influenced textures
• Vowel consistency and blend in ensemble singing
• Phrasing and expression within a conversational, lyrical framework
• Stylistic interpretation of mid-century popular vocal music