Can't Stop The Feeling (from Trolls) (arr. Audrey Snyder): 2-Part Choral Octavo

Audrey Snyder's arrangement captures the irresistible forward momentum of this contemporary pop hit while keeping the vocal writing singable for developing ensembles. The 2-part voicing opens the song to mixed choirs without sacrificing the infectious energy that makes it so rewarding to perform.

Pure positive energy wrapped in a pop groove that feels current and performable. The song radiates joy without cynicism, and the arrangement preserves that authenticity while keeping the technical demands reasonable for the voicing.

This arrangement works for middle school through early high school choirs seeking contemporary material that connects with singers and audiences alike. It's accessible enough for developing ensembles but demands enough attention to rhythmic detail and blend to hold the interest of more experienced groups.

• Keep the rhythmic groove consistent throughout; this song lives in its pocket, so anchor the eighth-note patterns even when dynamics shift.
• Balance the part writing so neither voice dominates. The interplay between sections should feel conversational, not hierarchical.
• Let the lyrics sit naturally in the mouth rather than overarticulating. The conversational tone of the song matters as much as the notes themselves.
• Use the accompaniment as a rhythmic anchor, but resist locking into it mechanically. Allow slight flexibility in phrasing to maintain musicality across phrases.

Perfect as an opener or closer when you need something that energizes an audience immediately. It pairs well on a concert that mixes contemporary pop with more traditional repertoire, offering a bridge between worlds and keeping programs from feeling dated.

• Rhythmic precision in pop idioms (syncopated rhythms, eighth-note patterns)
• 2-part blend and voice independence
• Ensemble cohesion with rhythmic accompaniment
• Contemporary diction and stylistic interpretation