Can't Stop the Feeling (arr. Theo Janssen): SAB Choral Octavo

Theo Janssen's SAB arrangement captures the infectious energy and positive momentum of this chart hit while keeping the vocal ranges comfortable and the parts singable. The energy level remains high without oversinging, giving your ensemble room to groove while building blend and balance around a melody your singers genuinely want to perform.

Bright, propulsive, and undeniably joyful. The arrangement captures the song's signature forward momentum with clean harmonies that support rather than complicate the melody, creating space for your singers to feel the groove and ownership of the music they're making.

This arrangement works for middle school choirs ready to tackle contemporary repertoire with rhythmic confidence, high school groups looking for an uplifting concert closer, and community choirs seeking accessible pop music that still demands musicianship. Any ensemble drawn to modern hits will find this rewarding to learn and perform.

• Let the rhythm section lock in first; the groove is the foundation everything else rests on. Once your bass and rhythm singers have the pocket, the soloists and melody singers will find their place naturally.
• Bring out the joy in the lyrical hook without pushing for volume. The infectious quality comes from precision and lift, not force.
• Shape the phrase endings with intentional breath placement so the momentum never stops completely, even in moments of release.
• Balance the three parts carefully during full choir passages. SAB voicing can blur if the soprano isn't clear and the bass provides steady support without overwhelming.

Pair this as an opening number to establish energy and engagement, or save it for a second act closer where your audience leaves with genuine lightness. It programs beautifully alongside other contemporary pop arrangements or as a bridge between more traditional repertoire and current styles your singers connect with.

• Maintaining rhythmic precision within a groove-based arrangement
• Balancing three-part SAB voicing with clarity in each line
• Interpreting contemporary popular music with choral blend and control
• Ensemble cohesion when performing accessibility-focused material
• Phrase shaping and breath control in pop-style phrasing