Can't Stop the Feeling: Concert Band Conductor Score & Parts
As performed by Justin Timberlake / Arranged by Paul Murtha
Grade: 3
Item: 35-PK00367404
$60.00
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Description
In addition to being a hit single on the pop charts, this catchy and upbeat Justin Timberlake tune is featured in the animated film "Trolls". The opening melody is play by alto sax solo, followed by trombones and baritones, and finally the entire ensemble. With interesting parts for all sections of the band, this is sure to be enjoyed by your players and audience alike. Dur: 2:45
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00367404
More about this title
About the Artist: Justin Timberlake
Justin Timberlake emerged as a solo artist after his tenure with *NSYNC*, establishing himself as a versatile performer equally at home in pop, R&B, and film work. His songwriting and production collaborations have consistently landed on mainstream charts and in high-profile motion pictures, making his catalog a natural fit for concert arrangements that appeal to both players and audiences.
Why we love this
Paul Murtha's arrangement captures the song's irresistible groove while distributing compelling material across your entire band. The staggered entrance of the main melody (alto sax solo, then trombones and baritones, then full ensemble) gives each section a moment to shine, and the two minute forty-five second runtime fits perfectly into concert programming without feeling rushed.
What to expect
Sunshine and movement. The arrangement sparkles with the optimism of Timberlake's original while maintaining a concert band's warmth and fullness. It lands somewhere between pop-driven energy and the measured satisfaction of skilled ensemble playing.
Who it's for
Grade 3 bands that want to program something contemporary and recognizable without sacrificing solid musicianship. Directors seeking repertoire that energizes both players and listeners will find the familiar melodic hooks and accessible parts ideal for concerts, pep rallies, or spring programming.
How to get the most out of it
- Balance the alto sax solo opening carefully so it sits above the light accompaniment without the section needing to strain; this first impression sets the energy for everything that follows.
- Lock the rhythm section and low brass into the steady groove that defines the song. A slight emphasis on beat two gives it that contemporary pop feel Timberlake's original carries.
- Shape the layered entrances of the melody as a building effect. Each addition of voices should feel intentional and cumulative, not like everyone piling in at once.
- Maintain the upbeat character throughout without rushing. The tempo should feel effortless and grounded, allowing the audience to feel the pocket rather than just hear the notes.
How to use it
Pair this with one or two contrasting selections to create a program with genuine variety. The upbeat character works well as a second half opener or closer, giving audiences a finish that feels celebratory without being frivolous. It's also an excellent choice for non-traditional concert settings like community events where recognizable repertoire draws stronger turnout.
Skills your students will build
- Balancing solo melody lines with accompaniment texture
- Executing layered entrances with precision timing
- Maintaining steady rhythmic pocket in contemporary pop arrangements
- Reading parts written specifically for mixed section combinations