Can I Have This Dance (from "High School Musical 3"): Marching Band Conductor Score & Parts
By Adam Anders / By Nikki Hassman / Arranged by Michael Brown
Grade: 2
Item: 35-PK00123014
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About the Composer: Adam Anders
Adam Anders is a composer and producer who has shaped the sound of contemporary musical theater and film scores. His work on the High School Musical franchise brought accessible, singable melodies to millions of students and helped define the sound of 2000s pop-influenced theater music.
Why we love this
Michael Brown's arrangement captures the emotional arc of this ballad while keeping the marching band texture transparent and elegant. The strategic key changes give your band an expressive journey without overwhelming younger players, and that trumpet solo provides a natural solo feature that soloists actually want to play.
What to expect
Waltz time brings an inherent elegance to this number, and Brown's orchestration reinforces that ballad quality with lyrical phrasing and sustained harmonies. The piece unfolds with genuine emotion rather than bombast, creating space for your band to really sing through their instruments.
Who it's for
Grade 2 bands looking for repertoire that connects with students through familiar material while building musicality and expression. This works equally well for groups seeking programming that appeals to audiences who know the film.
How to get the most out of it
- Balance the woodwind scoring carefully during the opening sections; these lines carry the harmonic foundation and shouldn't be buried by the brass.
- Shape each key change as a moment of growth rather than a jolt. Let the band breathe slightly before the modulation and settle into the new tonality.
- Reserve dynamic contrast for the final statements. A patient approach in early sections makes the climactic moments land with real weight.
How to use it
Position this as a homecoming feature or spring concert centerpiece where you want to showcase your band's expressive capabilities. It pairs well alongside other contemporary film arrangements and gives younger or less experienced groups a chance to own material that resonates with their generation.
Skills your students will build
- Reading and performing in 3/4 time with musicality rather than mechanical counting
- Executing key modulations while maintaining consistent tone and intonation
- Balancing transparency in woodwind texture versus support from the brass section
- Shaping phrases across longer melodic arcs with intentional dynamic and tempo control