Call Upon The Name Of The Lord: SATB Choral Octavo

Arranged by Jeff Ferguson

Item: 35-DS00314317

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00314317

More about this title

Why we love this

Ferguson's arrangement respects the spiritual weight of this text while keeping the voicing accessible for mixed choirs of varying experience levels. The eight pages give you room to build dynamic contrast and textural variety without overwhelming singers or rehearsal time.

What to expect

Reverent and grounded. The arrangement invites singers and listeners to sit with the conviction of the text, building from intimate moments to fuller, more confident passages without ever becoming bombastic.

Who it's for

This octavo suits church choirs, school choirs with some ensemble experience, and community groups looking for meaningful sacred repertoire that doesn't require soloists or complex technical demands. It works equally well for choirs preparing a full service or concert set.

How to get the most out of it

  • Balance the part writing so no single voice dominates; this arrangement works best when all four parts maintain equal presence throughout.
  • Pay attention to phrase breathing as a unified choir. Mark common breath points in rehearsal to avoid staggered attacks that weaken the message.
  • Shape the harmonic progressions deliberately, letting minor adjustments in tempo and dynamics guide listeners through the theological arc of the text.
  • Record yourself conducting to hear how well the parts blend. Adjustments to vowel shapes and vibrato control often make more difference than volume alone.

How to use it

Pair this with other contemporary Christian arrangements for a thoughtful service anthem, or program it as the closing piece of a concert that emphasizes spiritual or devotional themes. The eight pages allow adequate rehearsal time even for groups with limited preparation weeks.

Skills your students will build

  • Singing sustained melodic lines over moving harmonic accompaniment
  • Balancing four independent parts while maintaining a unified phrase shape
  • Navigating harmonic progressions with secure intonation
  • Expressing textual meaning through dynamic control and phrasing

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