Cakewalk: String Orchestra Conductor Score & Parts
By Hershy Kay / Arranged by Robert Longfield
Grade: 3-4
Item: 35-PK00250620
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Cakewalk - Conductor Score (Full Score) | $7.50 | |
| Cakewalk - Violin 1 | $7.00 | |
| Cakewalk - Violin 2 | $7.00 | |
| Cakewalk - Violin 3 (Viola Treble Clef) | $7.00 | |
| Cakewalk - Viola | $7.00 | |
| Cakewalk - Cello | $7.00 | |
| Cakewalk - Bass | $7.00 | |
| Cakewalk - Piano | $7.00 | |
| Cakewalk - Percussion | $7.00 | |
| Cakewalk - Timpani | $7.00 |
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Description
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More about this title
About the Composer: Hershy Kay
Hershy Kay carved out a singular career as both orchestrator and composer, working closely with Leonard Bernstein to arrange some of Broadway's most enduring scores. His gift for orchestration extended to ballet and concert music, where he brought the same clarity and sophistication that made his theater work so distinctive.
Kay's approach to composition drew from American vernacular traditions. His "Cakewalk" ballet suite, built on themes by the 19th-century pianist and composer Louis Moreau Gottschalk, shows his talent for taking familiar melodies and recontextualizing them through orchestral color and refined harmonic language.
Why we love this
This movement offers a rare chance to program authentic American ballet music at an accessible level. The orchestration sparkles without overwhelming a developing string section, and the Gottschalk melodies carry real charm, giving students material that sounds finished and confident even at grade 3-4.
What to expect
Spirited and elegant, with a touch of period flavor. The writing captures the playfulness of the cakewalk dance tradition while maintaining Gottschalk's lyrical, sometimes wistful character, creating something that feels both lively and richly textured.
Who it's for
String orchestras moving into grade 3-4 repertoire who want something beyond standard teaching pieces. Conductors programming American concert music or seeking accessible ballet excerpts will find this both musically rewarding and student-friendly.
How to get the most out of it
- Balance the melody across your first violins and violas; the countermelodies matter as much as the tune itself, and rushing either line will obscure Kay's orchestration.
- Treat the rhythmic figures in the accompaniment with precision. This piece thrives on rhythmic clarity and forward motion, so articulation and subdivision are essential.
- Let the cello and bass line sing through. Despite supporting the harmony, this foundation carries its own melodic logic that propels the whole movement.
How to use it
Pair this with other Gottschalk arrangements or American orchestral classics to build a concert around 19th-century vernacular traditions. At roughly three and a half minutes, it works perfectly as an opener or a palate cleanser between heavier works.
Skills your students will build
- Balancing multiple melodic lines in a single section
- Articulation and rhythmic precision in accompaniment figures
- Reading flowing string crossings and position shifts
- Understanding countermelody as essential to orchestral texture
- Ensemble listening and blend within a four-part string texture