Cake by the Ocean (arr. Hans Reintjes) Sheet Music Preview

Cake by the Ocean (arr. Hans Reintjes): SAB Choral Octavo

As performed by DNCE / Arranged by Hans Reintjes

Item: 35-DS00488358

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Additional Details
Publisher: Hal Leonard
Page Count: 169
SKU: 35-DS00488358

More about this title

About the Artist: DNCE

DNCE burst onto the pop scene in 2015 with infectious energy and radio-friendly hooks that immediately caught the attention of mainstream audiences. The group's debut single "Cake by the Ocean" became a cultural moment, combining clever production with undeniable groove and memorable melodies. Their approachable pop sensibility makes their music particularly valuable for choral programs seeking contemporary repertoire that engages singers and audiences alike.

Why we love this

Hans Reintjes has crafted an arrangement that preserves the song's infectious hook and modern energy while making it accessible for three-part choirs. The light, playful character of the original translates beautifully to the SAB voicing, giving your singers a contemporary number that feels current without requiring extended vocal ranges or complex harmonic demands.

What to expect

Breezy and celebratory with an underlying groove that keeps things moving forward. The arrangement captures the playful spirit of the original while maintaining enough musical substance to keep singers engaged throughout.

Who it's for

Choirs looking to program pop music that doesn't require advanced vocal techniques or unusual ranges will find this arrangement particularly useful. It works well for groups seeking a contemporary opener, a fun concert closer, or a piece that builds audience connection during pops concerts and spring shows.

How to get the most out of it

  • Keep the rhythm section locked together in the verse sections. The groove depends on absolute rhythmic precision from all parts, not just the basses.
  • Emphasize vowel consistency across the choir when the parts diverge during the chorus. The blend matters as much as individual clarity here.
  • Balance the soprano line so it sits above without overwhelming the other parts. This arrangement likely features melody-on-top, and restraint from the lower voices helps it cut through.
  • Record a rehearsal pass without the accompaniment track to hear how your ensemble balances internally before adding the full backing.

How to use it

Consider placing this early in a concert where audience energy might be lower, or save it for a pops-focused set where its contemporary character shines brightest. It pairs naturally with other modern pop arrangements and lighter show tunes, creating a section that feels cohesive and current.

Skills your students will build

  • Rhythmic precision in groove-based music
  • Blend and balance in three-part SAB writing
  • Singing contemporary popular music with stylistic accuracy
  • Intonation maintenance in limited harmonic movement

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