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Cake by the Ocean: String Orchestra Conductor Score & Parts

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Cake by the Ocean Cover Image

Cake by the Ocean: String Orchestra Conductor Score & Parts

As Recorded by DNCE

Words and music by Justin Tranter, Robin Fredriksson, Mattias Larsson, and Joe Jonas / arr. Victor López

Grade: 2.5

Item: 00-45833

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Description
Get your strings rocking with this sure-fire, alternative dance song. No matter how you slice it, this song will certainly get your audience dancing in the aisles. Written by one of the Jonas Brothers with others, arranged by Victor López, and performed by DNCE (an American pop rock band), "Cake by the Ocean" is fun, upbeat, and different from most other pop songs in the market. Because of the repetitive nature of this song, it will be easy to learn. Three percussionists may play the drumset part in the absence of a drumset player. (2:15)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Cake by the Ocean: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 152
UPC: 038081526355
SKU: 00-45833

More about this title

About the Composer: Justin Tranter

Justin Tranter is a songwriter and producer who has written and co-written numerous pop hits across multiple genres and for various recording artists. His work spans pop, rock, and dance music, often collaborating with other writers and producers to craft radio-friendly, hook-driven songs that resonate with broad audiences.

Why we love this

Victor López's arrangement brings infectious energy to a contemporary pop-rock track without requiring advanced string technique, making it ideal for building ensemble confidence and engagement. The repetitive melodic and harmonic structure means students absorb the material quickly, freeing rehearsal time for refinement of balance, blend, and rhythmic precision. Programming this alongside classical or contemporary concert works signals that string orchestras are living ensembles capable of speaking to students' musical lives.

What to expect

Upbeat and propulsive, with a modern pop-rock sensibility that keeps the ensemble moving forward. The repetitive nature of the song creates a hypnotic, groove-oriented quality that feels less like concert music and more like a band setting, inviting players to lock in together and enjoy the ride.

Who it's for

String orchestras at the intermediate level (Grade 2.5) who want to perform accessible, contemporary repertoire that engages students and audiences alike. Directors seeking to expand beyond traditional classical and folk arrangements will find this arrangement welcomes players of varying experience while delivering a polished, radio-ready sound.

How to get the most out of it

  • Lock the rhythmic groove by having the ensemble tap out the main ostinato pattern while singing "bah-bah-bah" to internalize the pocket before adding pizzicato or arco texture.
  • Balance the bass line to anchor the harmonic foundation; this arrangement relies on a strong low end to drive the dance feel.
  • Emphasize articulation consistency across sections, particularly in rhythmic figures where staccato and legato exchange. The clarity of attack defines the modern sound.
  • Use dynamic shaping to build momentum across phrases rather than playing at one static volume; pop arrangements benefit from subtle swell and release.

How to use it

This works well as a contemporary closer or opener on a concert featuring mixed repertoire; its energy and familiarity create an accessible entry point for audiences while showcasing your ensemble's versatility. Consider pairing it with one other pop or rock arrangement to signal a full contemporary set, or use it as a spring concert highlight when student engagement and fun are priorities alongside musicianship.

Skills your students will build

  • Maintaining steady rhythmic groove and ensemble pocket
  • Playing pizzicato with consistent tone and attack
  • Balancing multiple simultaneous rhythmic layers
  • Reading contemporary pop-rock notation and articulation
  • Dynamic shaping and phrasing in a non-classical style

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