C'mon n' Ride It (The Train) Cover Image

C'mon n' Ride It (The Train): Marching Band Conductor Score & Parts

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C'mon n' Ride It (The Train) Cover Image

C'mon n' Ride It (The Train): Marching Band Conductor Score & Parts

Words and music by Barry White, Michael Phillips, Jay McGowan, and Nathaniel (CC Lemonhead) Orange [Quad City DJs] / arr. Mike Story

Grade: 2 (Easy)

Item: 00-33781

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Description
This infectious dance hit from the Quad City DJs will be a welcome addition to any stands tune or pep band library. Beginning with clever train effects, the piece quickly moves into the funky groove. Your students will love it!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, C'mon n' Ride It (The Train): Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Big and Easy
Publisher: Alfred Music
Page Count: 114
UPC: 038081386041
SKU: 00-33781

More about this title

About the Composer: Barry White

Barry White (1944-2003) was an American soul and funk musician whose deep baritone voice and lush orchestral arrangements defined a generation of R&B and disco. Beyond his iconic solo career, White's compositional work shaped the sound of funk and soul throughout the 1970s and beyond, influencing countless artists across genres. His legacy extends far into popular music sampling and reinterpretation, making his compositions enduring reference points in modern production.

Why we love this

This arrangement captures everything that makes "C'mon n' Ride It" irresistible without demanding advanced technique from your band. The Grade 2 level means your full ensemble can execute the groove confidently, and the clever train effects at the opening give performers an immediate hook that builds anticipation. Directors consistently report that this piece generates genuine enthusiasm during rehearsal and delivers high entertainment value at pep band events, football games, and stand tunes.

What to expect

Infectious and propulsive, with a irresistible forward momentum that makes listeners want to move. The piece balances rhythmic precision with playful character, anchored by funky grooves and punctuated by clever effects that keep the arrangement feeling fresh through repetition.

Who it's for

Marching bands at all competitive and non-competitive levels seeking accessible, crowd-pleasing repertoire that keeps student musicians engaged. This works equally well for pep bands, halftime shows, or concert-style performances where the goal is entertainment alongside musicianship.

How to get the most out of it

  • Lock the rhythm section (percussion and low brass) into a tight, driving pulse; the groove depends entirely on subdivision clarity and consistency across the entire phrase.
  • Emphasize the train effects during the opening with precision; these create the piece's strongest visual and sonic impact and deserve rehearsal time equal to any melodic passage.
  • Balance the funky horn lines so they sit comfortably above the groove without overshadowing the rhythmic foundation; this is a band sound, not a horn solo.
  • Maintain steady energy through repeated sections by varying dynamics subtly and keeping articulation sharp; funk relies on repetition, so freshness comes from commitment, not novelty.

How to use it

Program this during halftime, pep band events, or football game stands tunes where crowd engagement is the priority. It also works well as a high-energy closer on a concert program or as a confidence-builder early in the season when you're establishing ensemble cohesion around a piece your students already know and love.

Skills your students will build

  • Maintaining steady pulse in funk and rock grooves
  • Executing syncopated rhythmic figures with precision
  • Balancing melodic and rhythmic roles within an ensemble texture
  • Articulating staccato passages cleanly at tempo
  • Responding to visual cues during train effects and rhythmic transitions

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