Bye Bye Blackbird: Jazz Ensemble Conductor Score & Parts
By Mort Dixon / By Ray Henderson / Arranged by Mark Taylor
Grade: 2
Item: 35-PK00245867
$45.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Bye Bye Blackbird - Full Score | $7.50 | |
| Bye Bye Blackbird - Alto Sax 1 | $6.00 | |
| Bye Bye Blackbird - Alto Sax 2 | $6.00 | |
| Bye Bye Blackbird - Tenor Sax 1 | $6.00 | |
| Bye Bye Blackbird - Tenor Sax 2 | $6.00 | |
| Bye Bye Blackbird - Baritone Sax | $6.00 | |
| Bye Bye Blackbird - Trumpet 1 | $6.00 | |
| Bye Bye Blackbird - Trumpet 2 | $6.00 | |
| Bye Bye Blackbird - Trumpet 3 | $6.00 | |
| Bye Bye Blackbird - Trumpet 4 | $6.00 | |
| Bye Bye Blackbird - Trombone 1 | $6.00 | |
| Bye Bye Blackbird - Trombone 2 | $6.00 | |
| Bye Bye Blackbird - Trombone 3 | $6.00 | |
| Bye Bye Blackbird - Trombone 4 | $6.00 | |
| Bye Bye Blackbird - Guitar | $6.00 | |
| Bye Bye Blackbird - Piano | $6.00 | |
| Bye Bye Blackbird - Bass | $6.00 | |
| Bye Bye Blackbird - Drums | $6.00 | |
| Bye Bye Blackbird - Vibes | $6.00 | |
| Bye Bye Blackbird - Flute | $6.00 | |
| Bye Bye Blackbird - Bb Clarinet 1 | $6.00 | |
| Bye Bye Blackbird - Bb Clarinet 2 | $6.00 | |
| Bye Bye Blackbird - F Horn | $6.00 | |
| Bye Bye Blackbird - Tuba | $6.00 |
Parts Added to Cart!
Description
Arranged in a medium slow Basie style, this is a great chart for teaching ensemble balance and laid-back swing. Includes plenty of tutti ensemble playing, plus a Basie-like piano solo that's completely written out.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00245867
More about this title
About the Composer: Mort Dixon
Mort Dixon was a prolific lyricist and composer in the American songbook, active during the 1920s and 1930s. He collaborated with several significant composers of his era, crafting standards that became fixtures in jazz and popular music. His work demonstrates a knack for crafting memorable melodies paired with lyrics that capture the vernacular of their time.
Why we love this
Mark Taylor's arrangement captures the essence of Count Basie's band without requiring your ensemble to navigate complex voicings or demanding solos. The tutti passages give everyone something substantial to play, building confidence and cohesion, while the written-out piano solo removes the pressure of improvisation and lets you focus on what really matters: locking in that relaxed, behind-the-beat pocket that defines great swing.
What to expect
Unhurried and cool, with a sophisticated ease that comes from careful arrangement rather than casual playing. The melody sits naturally in the ensemble sound, and the overall character suggests a room full of musicians enjoying themselves without needing to prove anything.
Who it's for
This chart suits ensembles ready to tackle real swing language but not yet ready for the demands of fully improvised solos or intricate big band writing. It works equally well for high school jazz bands, college foundation ensembles, and community groups looking to build comfort with the Basie aesthetic.
How to get the most out of it
- Emphasize the laid-back feel by having your rhythm section sit slightly behind the beat rather than rushing ahead; this characteristic Basie looseness won't happen if you're pushing the tempo.
- Balance the ensemble voices so no single section overwhelms the texture during tutti passages; the charm of this arrangement lives in how the parts weave together, not in any one line dominating.
- Let the written-out piano solo breathe with space and dynamics; it's a chance to showcase what a strong pianist can do while the rest of the ensemble listens and supports rather than fills every gap.
How to use it
Place this early in a jazz concert to set a relaxed tone and establish your ensemble's ability to play with nuance and control. It pairs well as a contrasting piece between more uptempo or complex arrangements, and the moderate difficulty makes it a solid choice for a concert that needs to showcase both musicality and accessibility.
Skills your students will build
- Swing feel and rhythmic placement (playing behind the beat)
- Ensemble balance and blend across sections
- Reading and executing written-out piano solos as a model for accompaniment
- Basie-style big band interpretation and phrasing
- Section independence within a cohesive ensemble texture