Steve Zegree is a prolific arranger whose work across jazz, pop, and traditional standards has made him a trusted voice in choral music education. His arrangements balance accessibility with musical substance, making well-known material engaging for singers at multiple levels of experience.
Why we love this
Zegree's take on this jazz standard strips away nothing essential while keeping the vocal writing lean and singable. The SAB voicing lets you program this with confidence, knowing your singers will find clear lines and the audience will recognize the tune immediately.
What to expect
A crisp, swinging interpretation that captures the bittersweet heart of the tune. The arrangement lets the melody breathe without burying your singers under unnecessary complexity.
Who it's for
Any director working with mixed voices who wants a confident, recognizable standard that won't require weeks of rehearsal. This works equally well for concert programming, showcase moments, or teaching singers how to approach a jazz-influenced arrangement.
How to get the most out of it
Anchor the rhythm section with the recorded accompaniment to help your singers feel the swing feel and not rush the eighth notes.
Shape each phrase as if you're telling the story of leaving; avoid letting the melody flatten into a monotone read.
Balance the middle voice carefully during the refrain so the top line stays in focus without oversinging.
How to use it
Slot this into a lighter or more contemporary set to break up heavier repertoire. It pairs naturally with other American standards or works as a standalone moment that lets your audience relax into something familiar.
Skills your students will build
Singing jazz phrasing and rhythmic articulation
Balancing melody with supporting voice parts
Following a swing feel with accompaniment
Interpretation of a standard song form
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