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Building Technic With Beautiful Music, Book III: Violin Book

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Building Technic With Beautiful Music, Book III Cover Image

Building Technic With Beautiful Music, Book III: Violin Book

By Samuel Applebaum

Item: 00-EL01059

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Description
The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianship. They provide supplementary materials which can be used with any standard string method. By studying the text carefully, and with the teacher's help, the young student will develop a foundation for a fine left-hand technic and bow arm. This volume includes the basic solid bowings and the slow spiccato stroke in the fundamental rhythms.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-3116-0
ISBN13: 978-0-7692-3116-7
UPC: 029156194654
SKU: 00-EL01059
Instrumentation: Violin

More about this title

About the Author: Samuel Applebaum

Samuel Applebaum was a violinist, composer, and pedagogue whose career spanned much of the twentieth century. He became known for creating instructional materials that refused to separate technical drill from genuine musicality, believing young string players deserved pieces worth playing, not just exercises in disguise.

Applebaum's contributions to string pedagogy emphasized that solid technique grows from engagement with real music. His collections remain widely used because they solve a practical problem every private teacher and school orchestra director faces: finding supplementary repertoire that develops specific technical skills while maintaining student interest and musical growth.

Why we love this

This book cuts through the false choice between technique and music. Rather than asking students to plod through scales and mechanical drills, Applebaum offers carefully selected pieces that build left-hand facility and bow control through pieces that actually reward careful listening. The transcriptions and edits are transparent about their pedagogical purpose, which means you can assign specific pieces to address specific technical needs without the student feeling like they're doing supplementary work.

What to expect

Opening this book reveals pieces that feel complete and intentional, not stripped down. The musical phrases invite expressive playing, yet the underlying harmonic and rhythmic structures reinforce the technical work happening in your practice. There's a quiet satisfaction in realizing that the reason a passage is musically satisfying is exactly the reason it builds better technique.

Who it's for

This book works best for violinists in the early intermediate stages who are ready to move beyond their primary method book but still need focused technical scaffolding. Private teachers use it alongside any standard method as a source of repertoire that reinforces specific left-hand and bow techniques without requiring a separate lesson book.

How to get the most out of it

  • Approach the slow spiccato work in these pieces with patience. The rhythm patterns are intentionally fundamental; focus on evenness of articulation and consistent height rather than speed.
  • Use the bowings Applebaum has marked as models for understanding bow distribution. Notice where full bow, half bow, and shorter strokes appear, and let that shape your interpretation.
  • Study the left-hand positions carefully with your teacher before running through a piece. These transcriptions place position shifts and finger patterns strategically to build strength and accuracy.
  • Listen to how each piece sits on your instrument. The selected keys and ranges will resonate differently than etude material, and that resonance is part of the learning.

How to use it

Assign pieces from this book strategically alongside your regular method work when a student needs to consolidate a specific skill. A piece that emphasizes solid bowings in fundamental rhythms pairs naturally with a week when you're reinforcing bow control; similarly, left-hand technical passages can be introduced once a student has shown readiness in their method studies. This keeps progress visible and prevents the feeling that technique and music are separate pursuits.

Skills your students will build

  • Solid bow strokes across the string with consistent tone production
  • Slow spiccato in fundamental rhythmic patterns
  • Left-hand position stability and finger independence
  • Intonation accuracy in early intermediate positions
  • Reading and responding to articulation and bowing markings
  • Musical interpretation of simple phrases while maintaining technical focus

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