Buenaventura: E-flat Baritone Saxophone

Hodges writes music that balances polish with genuine fun, and this piece proves it. The Latin percussion and jazz section keep the ensemble engaged throughout, while the syncopation demands just enough precision to feel accomplished without overwhelming a solid Grade 3.5 group. Closing a concert with this guarantees audiences leave energized.

This piece crackles with forward momentum. The Latin percussion creates an irresistible groove while driving syncopations keep the melody restless and propulsive. When the jazz section arrives, the energy shifts into something looser and more conversational before building back to full-ensemble intensity.

Grade 3.5 concert bands preparing contest or concert repertoire. Directors looking for a high-energy closer that engages both young players and audiences without requiring advanced technical facility.

• Lock the Latin percussion groove early in rehearsal. Once your rhythm section locks the feel, the syncopations in the front sections will sit naturally on top.
• Bring out the jazz section as a moment of stylistic contrast. Encourage soloists to lean into swing feel and phrasing rather than straight rhythmic precision.
• Balance the fast Latin passages with clear articulation in the low reeds and brass. Muddy low parts will bury the driving syncopation you want to project.

Reserve this for your final slot. Its infectious groove and stylistic variety make it the ideal closer for either a concert program or festival performance, leaving the audience with energy and enthusiasm. It pairs well with more traditional selections earlier in the program, providing a refreshing contemporary feel.

• Syncopated rhythms in Latin style contexts
• Jazz articulation and swing feel
• Ensemble groove and rhythmic cohesion in fast tempos
• Balancing melodic phrasing over driving accompaniment