Bruised Sheet Music Preview

Bruised: Piano/Vocal/Chords

Ben Folds

Item: 00-PS-0013548

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$3.99

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Description
This official songbook edition of Ben Folds' 2006 solo album features accurate piano/vocal transcriptions of every song on the album, including favorites like "Still," "Learn to Live with What You Are," and the infamous, tongue-in-cheek "gangsta" parody "B****** Ain't S**t." Parental advisory: explicit content (strong language). Titles: * In Between Days * All U Can Eat * Songs of Love * There's Always Someone Cooler Than You * Learn to Live with What You Are * B****** Ain't S*** * Adelaide * Rent a Cop * Get Your Hands Off My Woman * Bruised * Dog * Still.

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Additional Details
Publisher: Alfred Music
Page Count: 136
SKU: 00-PS-0013548

More about this title

About the Composer: Ben Folds

Ben Folds built his reputation as a classically trained pianist who refused to separate art-rock ambition from pop sensibility. His work with the Ben Folds Five established him as a composer unafraid of emotional directness, complex harmony, and humor in the same breath. Since his early solo work, he has become known for chamber pop arrangements, orchestral collaborations, and a gift for crafting songs that balance wit with genuine vulnerability.

Why we love this

This songbook captures a pianist's full creative voice across an album that swings between tenderness and satire, never letting either dominate. The arrangements are sophisticated without being inaccessible, and the repertoire rewards performers who care about dynamic control, character, and the relationship between lyric and melody. It's a genuinely rewarding collection for pianists ready to bring intelligence and personality to their recital work.

What to expect

Bruised moves between conversational intimacy and theatrical swagger, anchored always by the piano. The album carries the texture of a late-night conversation where vulnerability and deflecting humor coexist. Songs like 'Still' and 'Adelaide' settle into quiet reflection, while others throw elbows and ask uncomfortable questions, all held together by arrangements that feel personal and specific rather than generic.

Who it's for

Pianists and singer-pianists who gravitate toward contemporary pop-rock with harmonic depth and lyrical intelligence. This collection works for performers developing a recital repertoire beyond classical standards, as well as students exploring how art-rock composition functions at the piano.

How to get the most out of it

  • Balance clarity and warmth in the left-hand voicings; these songs rely on harmonic sophistication to land their emotional and comedic points.
  • Pay attention to tempo relationships between songs. The album shifts moods dramatically, and respecting those contrasts in a set will strengthen the overall arc.
  • Use the vocal line as a guide to phrasing at the piano, but remember that your hands can breathe independently when the lyrics rest; let the accompaniment texture speak.
  • Track dynamic shifts carefully in the quieter songs like 'Still' and 'Adelaide.' Restraint in these moments creates the contrast the louder tracks depend on.

How to use it

This works well in a recital focused on contemporary American songwriting or art-pop, especially when paired with other singer-songwriter work. Individual songs translate beautifully into shorter showcases of a pianist's interpretive range. The full album arc is substantial enough to anchor a full recital, offering a cohesive journey through one artist's vision.

Skills your students will build

  • Interpreting complex jazz-influenced voicings in a pop-rock context
  • Managing tempo and dynamic contrast across a full song cycle
  • Balancing accompaniment texture with vocal line in singer-pianist roles
  • Communicating character and tone through harmonic clarity
  • Reading and executing contemporary notational practices in commercial songbooks

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