Brown Eyed Girl (arr. Deke Sharon) Sheet Music Preview

Brown Eyed Girl (arr. Deke Sharon): TTBB Choral Octavo

As performed by Van Morrison / Arranged by Deke Sharon

Item: 35-DS00131736

Digital Download
$2.99
Description

Brown Eyed Girl (arr. Deke Sharon): TTBB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00131736

More about this title

About the Artist: Van Morrison

Van Morrison emerged from Belfast in the 1960s as one of rock and soul's most distinctive vocalists, bringing a jazz-inflected sensibility to popular song. His catalog spans decades of writing that prizes emotional authenticity and melodic richness, with "Brown Eyed Girl" standing as one of his most enduring compositions. For choral directors, Morrison's work offers accessible yet sophisticated material that resonates across generations of singers and audiences alike.

Why we love this

Deke Sharon's arrangement transforms this beloved standard into genuinely musical writing for men's voices, steering clear of novelty treatment while honoring the song's infectious warmth. The flexible voicing options (TB/TTB/TBB/TTBB) let you program it regardless of your ensemble's size or shape, and the six pages include enough detail to feel substantial without becoming burdensome. This is the rare pop arrangement that your singers will enjoy learning as much as audiences enjoy hearing.

What to expect

Sunny and nostalgic, with the kind of melodic generosity that makes singers want to sing it again the moment it ends. Sharon's arrangement keeps the spirit of the original intact while adding harmonic sophistication that rewards careful listening from your audience.

Who it's for

Male and gender-inclusive choirs seeking accessible repertoire that builds genuine musicality rather than relying on gimmicks. This works equally well for high school ensembles building confidence around pop standards and college groups looking for a warmup or encore piece that feels substantive.

How to get the most out of it

  • Maintain the rhythmic lift of the original recording; this arrangement rewards a relaxed swing feel rather than a strict metronomic approach.
  • Balance the melody across your section lines so the tune remains clear even when other voices carry supporting material.
  • Let the harmonic movement breathe in the verse sections; resist the urge to force all voices into perfect blend before the chorus hits.
  • Consider how your arrangement's specific voicing (TB, TTB, TBB, or TTBB) affects registration; experiment with your lowest voices carrying bass lines that ground the texture.

How to use it

Pair it with other accessible secular repertoire to bridge classical and pop programming, or close a concert segment with it as a crowd-pleasing encore that leaves audiences smiling. The six-page length makes it substantial enough to anchor a set without demanding the rehearsal time of longer works.

Skills your students will build

  • Maintaining rhythmic precision in swing-based feel
  • Singing sustained harmonies across varied voicings (TB/TTB/TBB/TTBB)
  • Balancing melody clarity with supportive harmonic lines
  • Interpreting pop and rock idioms with musical integrity

You May Also Like