Brown Eyed Girl: Concert Band Conductor Score & Parts
By Van Morrison / Arranged by Paul Murtha
Grade: 2
Item: 35-PK00167428
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Brown Eyed Girl - Full Score | $7.50 | |
| Brown Eyed Girl - Flute | $6.00 | |
| Brown Eyed Girl - Oboe | $6.00 | |
| Brown Eyed Girl - Bassoon | $6.00 | |
| Brown Eyed Girl - Bb Clarinet 1 | $6.00 | |
| Brown Eyed Girl - Bb Clarinet 2 | $6.00 | |
| Brown Eyed Girl - Bb Clarinet 3 | $6.00 | |
| Brown Eyed Girl - Eb Alto Clarinet | $6.00 | |
| Brown Eyed Girl - Bb Bass Clarinet | $6.00 | |
| Brown Eyed Girl - Eb Alto Saxophone 1 | $6.00 | |
| Brown Eyed Girl - Eb Alto Saxophone 2 | $6.00 | |
| Brown Eyed Girl - Bb Tenor Saxophone | $6.00 | |
| Brown Eyed Girl - Eb Baritone Saxophone | $6.00 | |
| Brown Eyed Girl - Bb Trumpet 1 | $6.00 | |
| Brown Eyed Girl - Bb Trumpet 2 | $6.00 | |
| Brown Eyed Girl - F Horn | $6.00 | |
| Brown Eyed Girl - Trombone | $6.00 | |
| Brown Eyed Girl - Baritone B.C. | $6.00 | |
| Brown Eyed Girl - Baritone T.C. | $6.00 | |
| Brown Eyed Girl - Tuba | $6.00 | |
| Brown Eyed Girl - Electric Bass | $6.00 | |
| Brown Eyed Girl - Percussion 1 | $6.00 | |
| Brown Eyed Girl - Percussion 2 | $6.00 | |
| Brown Eyed Girl - Mallet Percussion | $6.00 | |
| Brown Eyed Girl - Timpani | $6.00 |
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Description
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More about this title
About the Composer: Van Morrison
Van Morrison is a Northern Irish singer, songwriter, and musician whose career spans over six decades. He emerged from the blues and rock scenes of the 1960s and became known for crafting songs that blend soul, rock, folk, and R&B into deeply personal and emotionally resonant works. His compositions often showcase sophisticated harmonic sensibilities and a gift for melody that have influenced generations of musicians across multiple genres.
Why we love this
Paul Murtha's arrangement captures the infectious energy and groove of the original without losing the song's essential character. At Grade 2, it's accessible enough for developing ensembles yet sophisticated enough to keep stronger players engaged through the rhythmic interplay and voicing choices. This is the kind of selection that gets genuine enthusiasm from students because they recognize and love the tune.
What to expect
Bright, buoyant, and immediately recognizable. The arrangement sparkles with the optimism and warmth of the original tune while giving your band a chance to swing with contemporary energy. There's a feel-good quality here that lifts the room and reminds everyone why playing music together is fun.
Who it's for
Concert bands at the Grade 2 level seeking repertoire that appeals to student musicians and audiences alike. Directors programming pop and rock selections will find this arrangement hits the sweet spot between musicality and accessibility. It works equally well for festival play or community concert programming.
How to get the most out of it
- Keep the tempo steady and bounce the eighth note pulse; this tune lives or dies on its rhythmic pocket, so lock the section leaders into the groove before rehearsing the full band.
- Balance the melody against the supporting voices so the tune sits clearly in the foreground without overshadowing the arrangement's textural details.
- Shape the dynamics through the form rather than playing it as a single tempo from start to finish; small crescendos into major sections give the piece forward momentum.
- Let the rhythm section anchor the song; if your bass and drums breathe together, the rest of the band will naturally find the right feel.
How to use it
Pair this with other accessible pop or rock selections to create a themed concert section, or use it as a closer to send the audience out smiling. It's also an excellent choice for spring concerts or community events where you want familiar material that engages both players and listeners. The two-minute duration makes it ideal for concert flow when you need a concise, energetic moment.
Skills your students will build
- Maintaining steady pulse in a contemporary groove-based style
- Balancing melody and accompaniment textures
- Reading and executing syncopated rhythmic figures
- Responding to dynamic shaping across formal sections