Broken And Beautiful Sheet Music Preview

Broken And Beautiful: SATB Choral Octavo

Arranged by Doug Andrews

Item: 35-PK01145235

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-PK01145235

More about this title

About the Composer: Joseph M. Martin and Heather Sorenson

Joseph M. Martin is a prolific composer and arranger whose work spans choral, instrumental, and liturgical music. His output for choirs is substantial and accessible, focusing on singable melodies paired with meaningful texts that resonate across different performance contexts.

Heather Sorenson is a composer and arranger known for her collaborative work in choral music and her ability to craft arrangements that enhance rather than obscure the integrity of a song. Her contributions to contemporary sacred and secular choral repertoire have made her a frequent partner with major music publishers.

Why we love this

The collaborative voice of these two composers brings both accessibility and sophistication to a folk arrangement that feels contemporary without losing its roots. This piece operates in the sweet spot where emotional directness never veers into sentimentality, and the four-part writing sits naturally on singers' voices while still offering harmonic interest.

What to expect

The piece carries the warmth of folk idiom filtered through contemporary harmonic language. You'll hear sincerity without artifice, and a musical landscape that feels both intimate and worth sharing with an audience.

Who it's for

SATB choirs seeking repertoire with genuine emotional depth and a folk sensibility. This works well for choirs that want to expand beyond traditional concert fare without sacrificing musical substance. Directors programming diverse styles or building a set around themes of resilience and human connection will find this piece substantive.

How to get the most out of it

  • Let the folk melody breathe during its opening statements; resist the urge to over-phrase what's already inherently lyrical.
  • Balance the inner voices with care, especially when harmonies shift. The alto and tenor lines often carry the harmonic color.
  • Consider how your sopranos and altos can create independence in exposed sections without losing choral blend.
  • Shape phrases toward natural text accents rather than against them; the arrangement responds well to singers who understand the lyrical content.

How to use it

Pair this with other contemporary folk-inflected arrangements to create a thematic set, or use it as a standalone moment of contrast in a concert built around diverse styles. It works equally well as a spring or fall concert piece and fits naturally into programs exploring vulnerability, community, or personal reflection.

Skills your students will build

  • Sustaining legit tone across a full phrase without fatigue
  • Balancing melody and harmony in arrangement that prioritizes the song over complexity
  • Responding to folk idioms and text-driven phrasing
  • Part independence without sacrificing blend

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