Broadway, Here I Come!: SATB Choral Octavo
(from Smash)
Music and lyrics by Joe Iconis / arr. Lisa DeSpain
Item: 00-PO-0003748
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Joe Iconis
Joe Iconis is a composer and lyricist whose musical theater work spans Broadway, off-Broadway, and television. He has written for the NBC series "Smash," where "Broadway, Here I Come!" originated, bringing contemporary musical storytelling to television audiences. His compositional voice blends contemporary pop sensibility with theatrical energy, making his work accessible to singers across skill levels.
Why we love this
This piece delivers authentic musical theater energy without requiring a full pit orchestra or elaborate staging. The arrangement captures the propulsive momentum of the original while letting your choir own the spotlight, making it a genuine crowd-pleaser that works equally well in concert or cabaret settings.
What to expect
Bright, driven, and unabashedly optimistic. The piece pulses with the electricity of ambition and determination, channeling the rush of pursuing a dream. It's theatrical without being campy, energetic without exhausting, and designed to leave your audience wanting more.
Who it's for
High school, college, and community choirs ready to tackle contemporary musical theater repertoire with theatrical conviction. Your singers should be comfortable with pop-influenced rhythms and sustained energy throughout a showstopper that demands presence and commitment.
How to get the most out of it
- Nail the rhythmic precision of the underlying pulse; that drive toward the goal depends on the section locking together on the beat, especially in the opening statements.
- Layer the dynamic contrast between verses and the building sections to let the text about focus and determination land emotionally with your audience.
- Use the recorded accompaniment in early rehearsals to establish the groove, then gradually shift balance so the voices carry the energy independently.
- Shape the phrasing around the lyrical arcs ("I'll pull myself together" and "Broadway, here I come!") rather than phrase length alone, giving singers a dramatic anchor.
How to use it
Open a second act or frame an entire concert around a musical theater theme. The piece works as a powerful closer too, sending audiences out with the infectious energy of artistic aspiration. Consider pairing it with other contemporary pop-choral arrangements or contrasting it with a quieter, introspective ballad earlier in your program.
Skills your students will build
- Sustained rhythmic precision in contemporary pop idiom
- Dynamic layering and contrast within ensemble context
- Lyrical phrasing that serves theatrical text and character intention
- SATB balance in pop-inflected voicings with active rhythmic accompaniment