Bridge Over Troubled Water and This Is the Night Cover Image

Bridge Over Troubled Water and This Is the Night: Choral Instrumental Parts

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Bridge Over Troubled Water and This Is the Night Cover Image

Bridge Over Troubled Water and This Is the Night: Choral Instrumental Parts

Bridge Over Troubled Water: words and music by Paul Simon; This Is the Night: words and music by Christopher Braide, Gary Burr, and Aldo Nova / arr. Teena Chinn

Item: 00-CHM03061IN

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Description
Clay Aiken, the 2003 runner-up of "American Idol," released both of these songs on his first CD single. A fresh new soloistic treatment of the classic Paul Simon "Bridge Over Troubled Water" is beautifully arranged by Teena Chinn. "This Is the Night" is Clay's contemporary romantic ballad that has been getting airplay on a variety of radio formats. Two complete arrangements in one choral! Parts include: Trumpets I & II, Tenor Sax, and Trombone.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7579-1691-0
ISBN13: 978-0-7579-1691-5
UPC: 654979067863
SKU: 00-CHM03061IN

More about this title

Why we love this

Pairing a reimagined standard with a contemporary ballad gives your choir two distinct musical personalities in one rehearsal package. Teena Chinn's arrangement of 'Bridge Over Troubled Water' honors Simon's timeless songwriting while giving soloists room to shine, and the instrumental parts elevate both pieces beyond basic choral settings.

What to expect

Warm and introspective in 'Bridge,' then shifting to contemporary romance in 'This Is the Night.' Together they create a program moment that feels both familiar and fresh, with enough musical craftsmanship to satisfy serious singers while remaining engaging for general audiences.

Who it's for

Choirs seeking accessible pop repertoire with melodic substance and built-in audience appeal. The instrumental parts make this particularly suitable for jazz ensembles, show choirs, or programs that blend classical and contemporary styles.

How to get the most out of it

  • Balance the solo voice carefully against the choir, especially in 'Bridge.' The arrangement thrives when listeners can follow both the featured line and the harmonic support.
  • Use the recorded accompaniment to lock in the tempo and feel, but don't let it dictate your interpretation. Both songs benefit from slight flexibility in phrasing.
  • The brass parts (trumpets and trombone) add color rather than weight. Keep them transparent so they enhance rather than overshadow the vocal writing.

How to use it

Consider opening a concert with these two pieces to establish an accessible tone that draws listeners in before moving to other repertoire. They work equally well as a paired set or separated across different segments of a longer program.

Skills your students will build

  • Singing over sustained instrumental accompaniment without rushing
  • Balancing solo and ensemble textures
  • Interpreting contemporary vocal phrasing within a choral context
  • Reading and responding to jazz-influenced harmonic language

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