Bridal Chorus from Lohengrin Cover Image

Bridal Chorus from Lohengrin: SATB Choral Octavo

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Bridal Chorus from Lohengrin Cover Image

Bridal Chorus from Lohengrin: SATB Choral Octavo

By Richard Wagner

Item: 98-EP10808

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Description
The Bridal Chorus from the 1850 opera Lohengrin by Richard Wagner, who also wrote the libretto, is a popular march played for the bride's entrance at many formal weddings. More commonly known as 'Here Comes the Bride'. Arranged for mixed voice choir and piano in German.

Der Brautchor aus der Oper Lohengrin von Richard Wagner aus dem Jahr 1850, der auch das Libretto schrieb, ist ein beliebter Marsch, der zum Einzug der Braut bei vielen feierlichen Hochzeiten gespielt wird. Im Allgemeinen ist er als "Here Comes the Bride" bekannt. Arrangiert für gemischten Chor und Klavier in deutscher Sprache.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-01410-523-5
ISBN13: 979-0-01410-523-5
UPC: 0
SKU: 98-EP10808

More about this title

About the Composer: Richard Wagner

Richard Wagner (1813, 1883) fundamentally transformed opera, moving it away from isolated arias toward continuous dramatic music that served the story. His innovations in harmonic language, orchestration, and the integration of leitmotif (recurring musical themes tied to characters or ideas) made him one of the most influential and controversial composers in history. His operas demand serious musical and theatrical engagement from performers and audiences alike.

Wagner wrote both the music and librettos for his major works, giving him total creative control. Lohengrin, composed in the 1840s, sits at a pivotal moment in his career, blending the operatic traditions of his time with his emerging harmonic boldness. The Bridal Chorus remains one of his most recognized melodies worldwide, a testament to its memorable character and cultural staying power.

Why we love this

Singers recognize this tune instantly, which means rehearsal time goes toward musicality and ensemble cohesion rather than note-learning. The straightforward harmonic language in this arrangement makes it accessible for mixed choirs while the German text adds authentic character and a small language-learning opportunity for your singers.

What to expect

Processional and stately, like watching someone walk toward an important moment. The melody has an almost hymn-like quality, noble without being heavy, and the march rhythm gives it forward momentum that feels both dignified and joyful.

Who it's for

Mixed choirs at community theaters, churches, universities, and civic choruses looking for a recognizable, ceremonial piece. Any director wanting to program something genuinely famous that won't require extensive rehearsal investment.

How to get the most out of it

  • Balance the melody across voices so it projects clearly; the sopranos shouldn't dominate. In the octavo format, doubling is already built in, so focus on blend rather than volume.
  • Treat the march character literally. A steady, confident tempo maintains the processional dignity without rushing or dragging.
  • The German diction benefits from clear vowel shapes and crisp consonants. Spend rehearsal time on the text so singers understand what they're singing, not just how it sounds.
  • Use the piano accompaniment to anchor rhythm and pitch, especially in early rehearsals. Once the choir finds security, the accompaniment can provide lighter support.

How to use it

Program this as an opener on a pops or secular concert, or pair it with other wedding-themed songs for a standalone short program. It also works beautifully in a Wagner-focused evening or as part of a "Music from Opera" concert where singers can explore a range of styles.

Skills your students will build

  • Singing in German with proper diction and vowel clarity
  • Maintaining steady pulse in march rhythm across all four voices
  • Balance and blend in four-part writing without sacrificing melodic projection
  • Ensemble precision when performing a widely recognized melody

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