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Breakaway: SATB Choral Octavo

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Breakaway: SATB Choral Octavo

As Recorded by Kelly Clarkson for The Princess Diaries 2: Royal Engagement

Words and music by Matthew Gerrard, Avril Lavigne and Bridget Benenate / arr. Teena Chinn

Level: Moderate

Item: 00-CHM05001

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Description
This Top 10 chartbusting hit was recorded by Kelly Clarkson ("American Idol") and featured in the recent Princess Diaries 2 movie. Teena Chinn has captured all of the stylistic feel of the original in this pop choral setting.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 654979088271
SKU: 00-CHM05001

More about this title

About the Composer: Matthew Gerrard

Matthew Gerrard is a songwriter and composer who has written and produced pop music across film, television, and recorded music. His work often appears in mainstream movie soundtracks and has been recorded by major artists, giving him deep experience in writing vocal-forward melodies that resonate with contemporary audiences.

Why we love this

Teena Chinn's arrangement honors the pop sensibility of the original without oversimplifying the harmonic language, making this an accessible entry point into contemporary choral literature. The piece sits perfectly for Grade 3 ensembles; the melodic material is memorable and singable while still offering enough harmonic color to keep rehearsals engaging. Programming a certified hit from a recent film creates immediate relevance for your singers and draws audience recognition without sacrificing musical integrity.

What to expect

The piece captures the anthem-like quality of the original: optimistic and soaring, with enough harmonic sophistication to feel substantial. There's a confident energy throughout that invites singers into the emotional core of the song without requiring intense dramatic interpretation.

Who it's for

This octavo works beautifully for middle school and early high school choirs seeking contemporary material with genuine artistic merit. It's ideal for groups that want to program music their singers recognize and care about while building fundamental choral skills in a modern context.

How to get the most out of it

  • Balance the verse sections to highlight the melody without losing the supportive harmonic bed; the accompaniment track will anchor your singers, so use it as a tool to lock phrase shapes rather than as a crutch.
  • Shape the dynamic arc to build naturally through the chorus; resist the urge to jump to full volume on the first chorus repeat, and save your biggest sound for the final statement.
  • Attend to the stylistic details that make pop arrangements distinctive: clean articulation on shorter note values and relaxed energy on sustained passages create the contemporary feel Chinn wrote into the score.
  • Let the soloists breathe authentically if you assign featured vocal moments; the confidence in a soloist's phrasing often matters more than perfect blend at those moments.

How to use it

This works as a standalone pop selection on a concert where you're mixing genres, or as part of a contemporary/film music set. Its accessibility and familiarity make it a natural anchor for a winter or spring concert aimed at building audience connection and showcasing your singers' range beyond classical repertoire.

Skills your students will build

  • Singing contemporary harmonic language with jazz-influenced voicings
  • Balancing melody and harmony in pop-style settings
  • Working with recorded accompaniments and maintaining ensemble independence
  • Shaping longer phrases with stylistically appropriate dynamics and articulation
  • Performing with confidence in familiar, commercially released material

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