Break My Stride (arr. Mark Brymer): Choral Instrumental Pak

Mark Brymer's arrangement captures the infectious energy of the original while making it accessible for choral forces. The scat-syllable instrumental break gives singers something rhythmically engaging to chew on, transforming what could be a straightforward cover into an interactive performance moment that audiences genuinely enjoy.

Performing this arrangement captures the irresistible buoyancy of the original: a forward-propelled groove that makes standing still nearly impossible. The scat-syllable section transforms into a playful conversation between sections, turning the familiar earworm into a participatory experience that spreads energy from the stage into the audience.

This arrangement works beautifully for choirs seeking contemporary pop repertoire that requires minimal rehearsal time while maximizing audience appeal. It suits mixed groups, all-women's ensembles, and pop vocal jazz settings equally well.

• Keep the scat section conversational and loose rather than metronomically rigid; the fun comes from the vocal percussion texture layering on top of the instrumental groove.
• Anchor the rhythm section to lock in the pocket early in rehearsals so the singers can confidently add their layers without fighting the foundation.
• Emphasize the groove's forward motion from the very first rehearsal rather than treating it as a singing exercise; this piece rewards ensemble musicians who think like percussionists.

This piece slides naturally into spring concerts, pops programs, or variety shows where you want a high-energy moment that lands with immediate recognition. It also serves as an excellent choice for engaging newer singers who connect with recognizable pop material but still benefit from structured ensemble work.

• Rhythmic precision in syncopated pop grooves
• Scat singing and vocal percussion techniques
• Balancing syllabic articulation with forward melodic momentum
• Ensemble blend across mixed rhythmic textures