Break My Heart: Marching Band Conductor Score & Parts
As Recorded by Dua Lipa
Words and music by Michael Hutchence, Dua Lipa, Andrew Wotman, Stefan Johnson, Ali Tamposi, Jordan Johnson, and Andrew Farriss / arr. Doug Adams
Grade: 2 (Easy)
Item: 00-PK-0008440
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More about this title
About the Composer: Michael Hutchence
Michael Hutchence was the lead singer and primary songwriter of INXS, the Australian rock band that dominated the 1980s and 1990s with infectious grooves and sophisticated pop-rock sensibilities. His gift for melody and rhythmic sophistication shaped songs that remain standards in popular music education. Though Hutchence passed away in 1997, his compositions continue to influence contemporary pop songwriting and remain relevant in educational settings for their accessibility and musical intelligence.
Why we love this
Doug Adams has captured the infectious groove of this disco-funk earworm in a Grade 2 arrangement that actually respects the original's swagger without requiring virtuosic playing. Marching bands at this level rarely get contemporary pop that sounds this polished and energetic, making it an ideal choice for a program that needs to excite both performers and audiences.
What to expect
Bright, propulsive, and undeniably fun. The disco-funk groove moves with infectious forward momentum, mixing syncopated horn figures against a solid rhythmic foundation that makes you want to move. It's energetic without being frenetic, accessible without feeling dumbed-down.
Who it's for
High school and middle school marching bands wanting to program contemporary music that engages students and audiences alike. This Grade 2 setting works for developing ensembles or as a solid opener for competitive or festival programming.
How to get the most out of it
- Lock the kick drum and bass line first. The pocket of this arrangement hinges entirely on rhythmic precision in the low end; spend rehearsal time getting those players locked before layering in the horns.
- Shape the funk: avoid playing with a straight attack on every note. The disco-funk idiom lives in slightly relaxed articulations and push-forward energy, not marching band precision. Let the band breathe into the phrases.
- Balance the syncopated figures in the mid-range horns. They can easily overwhelm the melody, so check mix constantly during rehearsal and remind players that supporting the lead voice is their job.
- Use the recorded accompaniment to establish tempo and feel before your first full run-through. Hearing the original recording helps the band intuit the style faster than you explaining it.
How to use it
Program this early in a concert to set an upbeat tone, or use it in a pop-themed segment to showcase your band's versatility. At just over two minutes, it pairs nicely with a ballad or more serious work later in the show, giving your program rhythmic variety and demonstrating that serious musicianship can live in contemporary repertoire.
Skills your students will build
- Funk and disco rhythmic styling in a marching context
- Tight ensemble rhythmic accuracy in syncopated figures
- Balance and blend in contemporary pop arrangements
- Stylistic flexibility moving between pop and traditional marching band idioms
- Listening and responding to recorded accompaniments