Break Free Sheet Music Preview

Break Free: 2-Part Choral Octavo

As performed by Max Martin / As performed by Savan Kotecha / As performed by Anton Zaslavski / As performed by Ariana Grande / As performed by Ariana Grande feat. Zedd / Arranged by Mark Brymer

Item: 35-DS00304157

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00304157

More about this title

About the Artist: Max Martin

Max Martin is one of the most prolific and successful songwriters in contemporary music, having crafted chart-topping hits across multiple decades and genres. His work spans pop, dance, and R&B, and he has become known for creating hooks and structures that resonate globally with both radio audiences and streaming listeners. As both a writer and producer, Martin's influence on modern pop songwriting makes his work particularly relevant for choirs exploring contemporary repertoire.

Why we love this

Mark Brymer's arrangement opens up a chart-topping pop production to choirs of all levels without sacrificing the song's infectious energy or contemporary appeal. The 2-part voicing keeps the focus on the hook and melody while the accompaniment (likely provided separately) captures the song's modern production language, making this an excellent bridge between standard choral repertoire and music your singers actually listen to.

What to expect

The arrangement pulses with the confidence and forward momentum of the original, translating glossy pop production into choral color. Your singers will feel the empowerment in the melody and lyrics, and audiences will immediately recognize the song's irresistible hook.

Who it's for

Choirs seeking to program contemporary hits with accessibility and artistic credibility will find this arrangement inviting. It works equally well for middle school, high school, and community groups that want to energize their singers and audiences with music from the current cultural conversation.

How to get the most out of it

  • Lean into the rhythmic precision of the arrangement; even in a pop context, the attacks and releases need to match across both parts to lock in the groove.
  • Balance the tuning carefully on repeated melodic phrases, as pop melodies often sit in narrow ranges where pitch drift becomes obvious.
  • Pay attention to the lyrical phrasing cues in the score; Brymer's arrangement likely notates where to breathe and where to carry through for maximum impact.

How to use it

Place this in a spring or end-of-year concert to close a set with contemporary flair, or pair it with other modern pop arrangements to create a program segment that speaks directly to your student singers' musical world. Its recognizable melody also makes it a strong choice for recruitment performances and pops concerts.

Skills your students will build

  • Pop phrasing and rhythmic precision
  • Blending in close 2-part harmony
  • Balancing melody with accompaniment texture
  • Sustaining energy through repeated melodic sections

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