Brazilian Bell Carol: 1st B-flat Clarinet
Arranged by Robert W. Smith
Grade: 3
Item: 98-PC-RWS1608_C1
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Description
Original Item#: RWS-1608-00
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About the Arranger: Robert W. Smith

Robert W. Smith stands among America's most recorded and performed composers for concert band and orchestra, with over 400 published works spanning five decades. His catalog ranges from original symphonies (The Divine Comedy, The Odyssey) to essential repertoire for developing ensembles, pieces that have become cornerstones of band literature worldwide. Smith holds degrees from Troy State University and the University of Miami, and his work has reached audiences through Olympic broadcasts, major television network productions, and performances across North America, Europe, Asia, and Australia.
Beyond the page, Smith has shaped the field as a conductor and clinician, sharing his musical vision across the United States, Canada, Japan, Australia, and throughout Europe. His arrangements and compositions have graced everything from presidential ceremonies to opening day at Dodger Stadium, demonstrating his gift for creating music that connects with diverse audiences.
Why we love this
Smith transforms a familiar bell carol into something genuinely exciting by anchoring it in Brazilian percussion energy and samba rhythms, giving your percussion section real work while keeping the arrangement accessible at Grade 3. The progression from solo percussion grooves into the full samba setting creates natural ensemble building and provides a genuine showcase moment rather than a standard holiday filler. Directors report this piece consistently becomes an audience favorite because it balances festive charm with rhythmic sophistication.
What to expect
Bright, infectious, and celebratory, with a pulse that feels like stepping into a vibrant street carnival. The arrangement captures the spontaneity of a samba school parade while keeping the warmth of the traditional bell carol intact. Listeners recognize the familiar melody but experience it transformed by percussion color and rhythmic vitality that makes the piece feel both nostalgic and fresh.
Who it's for
Concert bands at Grade 3 level looking for a holiday selection that showcases percussion while remaining achievable for mid-level musicians. Directors seeking repertoire that balances accessibility with genuine musical interest, avoiding tired holiday clichés. This works equally well for ensembles wanting a standout winter concert closer or a flexible holiday program opener.
How to get the most out of it
- Spend rehearsal time locking the percussion section's foundational samba grooves before layering in the melodic voices; clean rhythmic precision here elevates the entire arrangement.
- Balance the bell carol melody against the samba accompaniment so the familiar tune cuts through without overpowering the groove that makes this version distinctive.
- Shape the solo fragments that open the piece with character and space; let percussion establish the street parade energy before the full band enters.
- Use the dynamic contrast between percussion-led sections and full band passages to maintain audience engagement across the arc of the piece.
How to use it
Position this as a holiday concert opener or closer; its percussive energy and infectious groove make it an excellent transition between more formal selections or a high-energy finale. Pair it with a slower, more introspective holiday arrangement to showcase your band's range and give audiences variety. Consider programming it alongside other Smith works if you're already performing his repertoire, as his stylistic voice remains consistent and recognizable.
Skills your students will build
- Samba rhythms and Brazilian percussion grooves (timeline patterns, clave figures)
- Balancing percussion-driven accompaniment with primary melodic lines
- Sectional independence while maintaining ensemble cohesion in polyrhythmic contexts
- Dynamic contrast and phrasing within a fast-moving, energetic setting