Brazil: Jazz Ensemble Conductor Score & Parts
As performed by Ary Barroso / As performed by S.K. Russell / As performed by The Ritchie Family / Arranged by Rick Stitzel
Grade: 2
Item: 35-PK00285433
$45.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Brazil - Conductor Score (Full Score) | $6.00 | |
| Brazil - Alto Sax 1 | $6.00 | |
| Brazil - Alto Sax 2 | $6.00 | |
| Brazil - Tenor Sax 1 | $6.00 | |
| Brazil - Tenor Sax 2 | $6.00 | |
| Brazil - Baritone Sax | $6.00 | |
| Brazil - Trumpet 1 | $6.00 | |
| Brazil - Trumpet 2 | $6.00 | |
| Brazil - Trumpet 3 | $6.00 | |
| Brazil - Trumpet 4 | $6.00 | |
| Brazil - Trombone 1 | $6.00 | |
| Brazil - Trombone 2 | $6.00 | |
| Brazil - Trombone 3 | $6.00 | |
| Brazil - Trombone 4 | $6.00 | |
| Brazil - Guitar | $6.00 | |
| Brazil - Piano | $6.00 | |
| Brazil - Bass | $6.00 | |
| Brazil - Drums | $6.00 | |
| Brazil - Vibes | $6.00 | |
| Brazil - Flute | $6.00 | |
| Brazil - Bb Clarinet 1 | $6.00 | |
| Brazil - Bb Clarinet 2 | $6.00 | |
| Brazil - F Horn | $6.00 | |
| Brazil - Tuba | $6.00 |
Parts Added to Cart!
Description
In the skilled hands of Rick Stitzel, here is a classy yet easy version of this familiar samba. Every section gets a chance to play the melody at some point, plus there is a solo section for any sax or flute.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00285433
More about this title
About the Artist: Ary Barroso
Ary Barroso (1903-1964) was a Brazilian pianist and composer who became one of the most important voices in samba and bossa nova composition. His sophisticated harmonies and melodic gift helped establish the template for modern Brazilian popular music, and his work influenced generations of Latin jazz arrangers and composers. 'Brazil' stands as his most internationally recognized composition, performed countless times across jazz ensembles worldwide.
Why we love this
Rick Stitzel's arrangement strips away nothing essential while keeping the chart accessible for developing ensembles. The orchestration ensures nobody sits idle; melody rotation means every section gets a moment to shine, which keeps rehearsals engaging and gives students genuine ownership of the tune.
What to expect
Warmth and sophistication in equal measure. The samba rhythm immediately evokes Brazilian sunshine and dance floors, yet Barroso's harmonic language keeps things elegant and refined rather than novelty-driven. There's joy in the melody and swagger in the groove.
Who it's for
Jazz ensembles at the beginning of their journey who need a repertoire standard that builds foundational skills without overwhelming the section chairs. This is also strong for mixed ability groups where you want a piece that challenges lead players while remaining manageable for younger or less experienced musicians filling other roles.
How to get the most out of it
- Let the rhythm section lock the samba pulse early in rehearsal. The groove is everything, so isolate bass, drums, and piano until they feel locked before adding the horns.
- Feature your strongest sax or flute player in the solo section, but don't shy away from showcasing multiple soloists if your group has the depth. Each solo section repeat can highlight a different voice.
- Bring out the melodic passes as they shift between sections. These moments are teaching opportunities for balance; melody players should project without drowning out the harmonic support underneath.
- Keep the tempo dancing rather than rigid. A slight push and pull in the groove makes the samba feel alive, especially during hits and rhythmic figures.
How to use it
Place this as a mid-set brightener on a jazz concert where you need both accessibility and polish. It also works beautifully as a spring or end-of-year piece that celebrates growth without demanding the technical complexity required by harder Grade 3 and 4 charts.
Skills your students will build
- Samba rhythm figures and swing feel coordination
- Melody passing and sectional balance
- Solo construction and improvisation foundations
- Reading syncopated jazz articulations
- Listening and responding to rhythm section groove