Brandenburg Concerto No. 3 in G, BWV 1048 Cover Image

Brandenburg Concerto No. 3 in G, BWV 1048: String Orchestra, Harpsichord Part

$8.00 USD

Brandenburg Concerto No. 3 in G, BWV 1048: String Orchestra, Harpsichord Part

Name: Brandenburg Concerto No. 3 in G, BWV 1048: String Orchestra, Harpsichord Part
Brand: Alfred Music
SKU: 36-A100246
Price: 8.00 USD
Availability: InStock

By Johann Sebastian (J.S.) Bach, ed./arr. by Wilhelm Rust

Item: 36-A100246

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The Brandenburg Concertos are a collection of six instrumental works by Johann Sebastian Bach (1685-1750) written around or before 1721 to be presented to Christian Ludwig, the Margrave of Brandenburg-Schwedt. With the original French title "Six Concerts à plusieurs instruments" (Six Concertos for several instruments), some feature multiple solo instruments in different combinations. These works are considered among the best orchestral compositions of the Baroque period. The well-known Brandenburg Concerto No. 3, BWV 1048, is the shortest of the six, and arguably closer to a concerto grosso. The second movement consists of only one measure, and modern performances have attempted to approach this is in numerous ways. This edition is a reprint of the Bach-Gesellschaft Ausgabe edition ("Bach Society Edition"), which is a collection of the complete works of Johann Sebastian Bach published in a series of 46 volumes from 1851-1899. Instrumentation: Hpchd (continuo): Str (3Vn.3Va.3Vc.1Bs/continuo).

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Series: Kalmus Orchestra Library

Publisher: Keiser Productions, Inc.

ISBN10: 8-89-563186-2

ISBN13: 979-8-89-563186-7

UPC: 659859088976

SKU: 36-A100246

Instrumentation: Hpchd (continuo): Str (3Vn.3Va.3Vc.1Bs/continuo)

More about this title

About the Composer: Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) was a German composer and musician whose works for strings, keyboard, and ensemble defined the late Baroque aesthetic. His six Brandenburg Concertos represent some of the most sophisticated instrumental writing of the era, showcasing his mastery of counterpoint, rhythmic vitality, and orchestral color. Bach's legacy as a composer and educator continues to shape music study and performance worldwide.

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Why we love this

Brandenburg Concerto No. 3 offers orchestral directors a chance to program a genuine Baroque masterwork without requiring soloists or complex cuing. The three-movement structure (with its famous one-measure Adagio) challenges ensembles to shape long string lines with period-appropriate phrasing while the continuo part keeps the harmonic foundation clear and engaged.

What to expect

Brandenburg Concerto No. 3 pulses with Baroque energy and contrapuntal sophistication. The opening movement dances with overlapping string phrases, the famous one-measure Adagio creates intimate reflection, and the final Allegro bursts with rhythmic drive and harmonic brightness.

Who it's for

String orchestras seeking authentic Baroque repertoire that develops ensemble musicianship and collaborative listening. Ensembles at the intermediate to advanced level will find the counterpoint and rhythmic clarity rewarding to refine.

How to get the most out of it

Balance the three violin parts as a unified texture rather than three separate voices; they function as a single harmonic and rhythmic unit in most passages.
Shape phrases across the full arc of each movement; avoid letting the quick passagework become rhythmically loose or metrically uncertain.
Coordinate with the harpsichord player on the interpretation of the one-measure second movement, which requires musical and interpretive agreement before rehearsal begins.
Use light articulation in the fast movements to allow inner voice independence to emerge without sacrificing ensemble cohesion.

How to use it

Program this work on a concert exploring Baroque instrumental music or as a bridge between Renaissance polyphony and Classical concerto form. It pairs naturally with other Bach string works or with concertos by Vivaldi and Corelli to create a substantive Baroque set.