Boughs of Holly: String Orchestra Conductor Score & Parts

Bob Phillips's arrangement captures the theatrical flair of the TSO production while remaining genuinely playable for a Grade 3 string orchestra. The optional rock instrumentation (electric violin, guitar, bass, keyboard, drums) means you can scale the arrangement to your ensemble's strengths, whether you're running a full rock setup or keeping it purely acoustic.

A familiar carol reimagined with rock attitude and theatrical warmth. The piece maintains the lyrical beauty of the original melody while wrapping it in driving rhythms and contemporary instrumental colors, creating something nostalgic yet fresh.

String orchestras at the intermediate level who want a contemporary holiday arrangement with personality and flexibility. This works equally well for directors seeking a winter concert centerpiece that appeals to audiences expecting traditional carols and those ready for something with modern edge.

• Balance the string melody against the optional rock instruments; the strings should drive the arrangement even when the full band is playing together.
• Use the optional electric violin and guitar parts strategically. They don't need to play the entire piece; bringing them in for sections or repeats creates dynamic shape without overwhelming the core ensemble.
• Lock the rhythm section (bass and drums, if used) tightly. The groove matters more here than in a traditional carol arrangement, and precision in the accompaniment makes the melodic lines sing.
• Let the keyboardist color the sound with texture rather than fill every beat. Restraint in the accompaniment leaves space for the strings to be heard clearly.

Program this as a mid-set energy shift in a winter concert, especially if you're pairing traditional carols with contemporary pieces. The optional electric instruments and drum part make it a natural bridge between a formal first half and a more casual second half, or use it as an encore that invites audience engagement.

• Playing with a steady, groove-oriented pulse (rock/pop time feel)
• Balancing acoustic and amplified instruments in the same ensemble
• Dynamic control across different instrumental timbres and densities
• Stylistic flexibility (adapting classical technique to contemporary music)
• Ensemble listening with optional parts (knowing when to blend and when to feature)