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Boughs of Holly: Concert Band Conductor Score

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Boughs of Holly: Concert Band Conductor Score

As Performed by Trans-Siberian Orchestra

Words and music by Paul O'Neill and Robert Kinkel / arr. Bob Phillips and George Megaw

Grade: 3 (Medium Easy)

Item: 00-47422S

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Description
A fresh take on the beloved traditional carol, this hit from The Christmas Attic show, created and performed by Trans-Siberian Orchestra, will be a delightful opener or closer at the holidays! With optional electric guitar, bass, and keyboard parts and the driving percussion, let your imagination loose when staging this one! (4:00)

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 28
UPC: 038081545721
SKU: 00-47422S

More about this title

About the Composer: Paul O'Neill

Paul O'Neill is the founding member and creative force behind Trans-Siberian Orchestra, the progressive rock band known for blending classical orchestration with rock instrumentation and narrative storytelling. His work as a composer and producer has shaped the sound of modern rock opera, particularly through the group's acclaimed holiday productions that have become seasonal staples in concert halls and theaters across North America.

O'Neill's compositions are characterized by sweeping arrangements, memorable melodies, and an ability to bridge classical and popular musical traditions. His work with Trans-Siberian Orchestra has introduced millions of listeners to complex harmonic language and sophisticated production within accessible, performance-driven contexts.

Why we love this

This arrangement captures the theatrical energy and production value of a Trans-Siberian Orchestra concert without requiring a full rock band setup. The optional electric guitar, bass, and keyboard parts give you flexibility to use what you have while the written concert band parts stand completely on their own, and the driving percussion creates immediate audience engagement that works beautifully as either a concert opener or finale.

What to expect

Energetic and theatrical, with a modern rock sensibility layered over the familiar comfort of a beloved carol. The arrangement pulses with driving rhythms and orchestral color, evoking the cinematic grandeur Trans-Siberian Orchestra is known for while keeping the melody's warmth intact.

Who it's for

Conductors leading concert bands at the intermediate level (Grade 3) who want a contemporary holiday selection with broad appeal and built-in audience engagement. This works equally well for school concerts, community bands, and holiday shows seeking a piece that sits between traditional arrangements and fully electric rock presentations.

How to get the most out of it

  • Balance the optional rock instruments carefully against the concert band core; the synth and electric guitar should enhance, not dominate, the woodwind and brass lines that anchor the arrangement.
  • Attend closely to the percussion section as your rhythmic engine. The driving parts create the propulsive feel that defines this piece, so precision and energy from timpani, drum kit, and battery are non-negotiable.
  • Consider subtle staging or lighting changes to match the arrangement's dynamics and sectional shifts, especially if you're using the optional electric parts; this piece invites visual imagination beyond the stand.
  • Lock in the tempo early in rehearsals and resist the urge to rush the driving rhythmic figures. Consistency serves the rock feel better than acceleration.

How to use it

Position this as your concert opener to set an immediate upbeat tone, or use it as a finale that sends audiences out on a high-energy note. It pairs effectively with traditional carols elsewhere on the program, providing modern contrast without overshadowing the classical selections.

Skills your students will build

  • Executing driving rock rhythms in a concert band setting
  • Balancing hybrid instrumentation (traditional band plus optional rock instruments)
  • Maintaining ensemble cohesion across varied textural densities
  • Interpreting contemporary arrangements of traditional material
  • Responding to theatrical and programmatic conducting cues

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