Book of Hours Cover Image

Book of Hours: Wind Band Score & Parts

$55.99 USD
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Book of Hours Cover Image

Book of Hours: Wind Band Score & Parts

By Julian Anderson

Item: 12-0571529461

$55.99
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Additional Details
Series: Faber Edition: Faber Wind Band Series
Publisher: Faber Music
ISBN10: 0-571-52946-1
ISBN13: 978-0-571-52946-9
SKU: 12-0571529461
Instrumentation: Wind Band

More about this title

About the Composer: Julian Anderson

Julian Anderson is a British composer whose works span orchestral, chamber, and wind band literature. He has established himself as a significant voice in contemporary classical music, drawing on diverse musical traditions and exploring innovative harmonic and rhythmic territories. His compositions for wind band demonstrate the same sophistication and structural ambition found in his orchestral writing.

Why we love this

Anderson writes for wind band with real orchestral ambition, treating the ensemble as a fully resourced instrument rather than a scaled-down orchestra. Book of Hours stands out in the contemporary wind band repertoire for its harmonic language and formal logic, offering conductors something genuinely modern without sacrificing accessibility in rehearsal.

What to expect

Book of Hours unfolds with a sense of architectural purpose. The wind band texture expands and contracts thoughtfully, creating moments of clarity and density that feel earned rather than arbitrary. The harmonic language feels contemporary yet resonant, rooted in clear musical thinking rather than arbitrary complexity.

Who it's for

Mature wind band programs seeking contemporary repertoire with musical substance and concert appeal. Conductors working with advanced high school or university ensembles will find a score that challenges players technically and musically without requiring extended techniques or extreme ranges.

How to get the most out of it

  • Establish the harmonic palette clearly in early rehearsals; Anderson's sonorities reward careful attention to balance and intonation across sections.
  • Mark structural moments explicitly so players understand where significant musical events occur and how phrases connect across the ensemble.
  • Balance the foreground melodic lines against the supporting harmonic context; resist the urge to let inner voices dominate.

How to use it

This works well as a centerpiece in a concert pairing modern works with established twentieth-century wind band literature. Its formal sophistication makes it an effective closer or major concert statement, and it sits naturally alongside repertoire by composers like John Williams or Jennifer Higdon who write with similar structural clarity.

Skills your students will build

  • Sustaining ensemble balance across four-part harmonic writing
  • Tracking longer phrase structures and understanding architectural form
  • Responding to contemporary harmonic language with secure intonation
  • Playing with precision in exposed passages where section clarity matters

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