Boogie Woogie Santa Claus (arr. Greg Jasperse) Sheet Music Preview

Boogie Woogie Santa Claus (arr. Greg Jasperse): SATB Choral Octavo

As performed by Patti Page / Arranged by Greg Jasperse

Item: 35-DS01521035

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01521035

More about this title

About the Artist: Patti Page

Patti Page was one of the most successful recording artists of the 1950s, known for her smooth vocal delivery and her innovative use of multi-track recording that allowed her to perform duets with herself. Her interpretations of popular standards and novelty songs reached millions of listeners and established her as a fixture of American popular music during the post-war era. Page's gift for phrasing and her ability to navigate both sentimental ballads and uptempo novelties made her a natural choice for interpreting seasonal material.

Why we love this

Greg Jasperse's arrangement captures the infectious swing of the original while remaining accessible for community and school choirs. The SATB voicing keeps the texture clear without oversimplifying the harmonic language, and the rhythmic energy makes this an ideal opener or closer for a holiday concert that wants to showcase personality alongside substance.

What to expect

Boogie woogie rhythm meets Christmas warmth. The arrangement drives forward with infectious energy and a cheeky spirit that makes audiences smile without ever winking at them. It's sophisticated enough to respect the source material while inviting singers to have obvious fun making music together.

Who it's for

This arrangement works for any SATB choir looking to add genuine swing style to a holiday program without requiring jazz experience. Community choirs, high school groups, and college ensembles will all find this playful yet musically substantive.

How to get the most out of it

  • Keep the eighth-note subdivision tight and consistent; the boogie woogie groove depends on rhythmic precision from all four voice parts working together as a unit.
  • Shape the phrase contours through dynamic variation rather than tempo shifts. The arrangement invites singers to lean into the swing feel without dragging.
  • Balance the parts so soloists or section leaders can take highlighted moments without drowning out the harmonic foundation beneath them.
  • Pay attention to how the bass line moves; it's often the anchor that keeps the ensemble locked into the groove, so make sure basses know their material before full rehearsals.

How to use it

Place this after a ballad or contemplative carol to shift energy and mood, or use it as a strong finale that sends the audience out smiling. The novelty appeal and genuine musicality make it work equally well in a themed holiday concert or mixed program where you need a bridge between reverent and celebratory material.

Skills your students will build

  • Swing rhythms and groove-based phrasing
  • Ensemble blend across voice parts in a rhythmically driven style
  • Stylistic interpretation of jazz and pop idioms
  • Rhythmic independence while maintaining collective pulse

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