Boogie Woogie (from "Solfege Suite #3"): 2-Part Choral Octavo

The irrepressible energy of a boogie woogie shuffle comes through immediately. Rhythmic drive, playful melodic contours, and that unmistakable walking bass groove create something both rhythmically satisfying and genuinely fun to sing.

Treble choirs, youth choirs, and mixed choirs looking for a secular piece that combines accessible part writing with genuine style. Works equally well in concert settings and as a lighter moment in a varied program.

• Establish the swing feel in rehearsal by clapping the rhythmic foundation before singing. The syncopation needs to lock in cleanly, so anchor it early.
• Layer the two parts separately at first, then combine them. Make sure the lower part sits solidly underneath without dominating the texture.
• Shape phrases toward their harmonic destinations rather than treating each measure equally. Boogie woogie lives in forward momentum.

Slot this into the middle or latter half of a concert when the audience is settled and ready for something with personality. It pairs well with more traditional choral fare as a contrasting item that reminds listeners why music should swing.

• Understanding swing rhythm and syncopation
• Singing over a steady, independent bass line
• Maintaining rhythmic independence in a two-part texture
• Interpreting style markings that convey groove and phrasing