Boogie Woogie Bugle Boy (arr. Mark Brymer): Choral Instrumental Pak
As performed by The Andrews Sisters / As performed by Bette Midler / Arranged by Mark Brymer
Item: 35-PK00309456
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Description
First made popular by the Andrews Sisters, later by Bette Midler in the '70s, and now this hoppin' tune is arranged for mixed as well as treble choirs. The energetic swing style will be incredibly fun to perform and the tune lends itself very well to choreography.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00309456
More about this title
About the Artist: The Andrews Sisters
The Andrews Sisters were the best-selling female group of the 1940s, bringing tight three-part harmony and infectious energy to everything from swing standards to novelty numbers. Their signature sound—built on impeccable intonation, rhythmic precision, and an ability to make complex arrangements sound effortless—defined an era of American popular music and influenced generations of vocal ensembles.
Why we love this
Mark Brymer's arrangement captures the infectious momentum of the original without sacrificing singability, and the dual voicing options mean you can program this confidently whether you're working with a smaller treble section or a full mixed choir. The swing groove sits at that perfect intersection of approachable and rewarding; your singers will feel the energy immediately, and audiences always respond to a tune this recognizable.
What to expect
Propulsive and playful, with the kind of rhythmic momentum that makes you want to move. The arrangement sparkles with period charm while the swing style keeps everything feeling contemporary and alive; there's real joy in performing a tune this tight.
Who it's for
Choirs of all levels looking for a high-energy showstopper that audiences recognize instantly. The flexibility between mixed and treble voicings makes it accessible whether you're programming for a concert featuring multiple choir groups or a single ensemble with strong singing throughout.
How to get the most out of it
- Lock the rhythmic articulation in the rhythm section early. The swing eighth-note feel is the backbone; once the band grooves, the vocals will sit naturally on top.
- Emphasize the call-and-response moments between choir and instrumental sections. These exchanges are what give the arrangement its theatrical punch.
- Let the front-row soloists breathe and shape their phrases with genuine swagger. This isn't a piece that benefits from a straight, formal approach.
- Consider how choreography might enhance the excitement without overshadowing the vocal lines. Simple, syncopated movement often serves this style better than elaborate staging.
How to use it
Place this as a mid-program energizer to reset audience attention and shift the mood after a longer ballad or classical work. It pairs naturally with other jazz-inflected pieces or American standards, and it's equally at home in a pops concert, a spring concert, or a show focused on musical theater and entertainment numbers.
Skills your students will build
- Singing over swing eighth-note rhythms with consistent feel
- Executing precise articulation and diction in a fast-moving arrangement
- Balancing vocal blend while maintaining forward rhythmic momentum
- Responding to and performing against a strong rhythmic accompaniment
- Shaping jazz phrasing with appropriate breath placement and lyrical flexibility