Boogie 'n' Blues, Book 2 Cover Image

Boogie 'n' Blues, Book 2: Piano Book

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Boogie 'n' Blues, Book 2: Piano Book

8 Original Pieces for Late Elementary Pianists

By Gayle Kowalchyk and E. L. Lancaster

Level: Late Elementary

Item: 00-6677

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Description
Piano students of all ages enjoy playing pieces in the boogie and blues style. Students in their beginning years of piano study can enjoy these bouncy selections which are written in five-finger hand positions. Each piece is as fun to learn as it is to play.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7390-1732-2
ISBN13: 978-0-7390-1732-6
UPC: 038081025667
SKU: 00-6677

More about this title

About the Composer: Gayle Kowalchyk

Gayle Kowalchyk

Gayle Kowalchyk holds an Ed.D. in piano pedagogy from Teachers College, Columbia University, and has spent decades shaping how teachers approach piano instruction. She has taught at California State University, Northridge, Eastern Illinois University, Oklahoma Baptist University, and the University of Oklahoma, serving in roles ranging from class piano instruction to graduate pedagogy seminars. Her work as a clinician and adjudicator has taken her to national conferences including the Music Teachers National Association, Music Educators National Conference, and the World Piano Pedagogy Conference.

Working alongside her husband, E. L. Lancaster, Kowalchyk has co-authored more than 300 educational piano books, among them Alfred's Premier Piano Course and Music for Little Mozarts. This collaborative body of work reflects a deep commitment to creating repertoire and materials that meet students where they are developmentally, balancing musicality with accessibility. She currently serves as a clinician for Alfred Music and lives in the Los Angeles area.

Why we love this

These pieces nail the balance between genuine musical style and realistic technical demands for early elementary pianists. The five-finger hand position constraint never feels limiting because the writers understand how to craft memorable melodies and grooves within those boundaries. Students get to feel like real musicians playing in a recognizable idiom rather than working through exercises.

What to expect

Playful and soulful at once, with that irresistible boogie shuffle that makes you want to move. These pieces have the swagger of real blues and boogie styles filtered through language early pianists can actually speak, creating a genuine musical experience rather than a scaled-down imitation.

Who it's for

Late elementary piano students who have solid five-finger technique and are ready for repertoire with real rhythmic character and style. These pieces also work well for students of any age discovering piano or returning to the instrument, since the boogie and blues idiom is instantly engaging and doesn't require advanced hand independence.

How to get the most out of it

  • Keep the left-hand boogie patterns steady and even; a metronome helps establish the groove before adding the melody line.
  • Emphasize the syncopated rhythms by slight articulation on offbeats, which gives these pieces their authentic blues character without requiring complex fingering.
  • Let the blues feel breathe; resist the urge to rush through faster passages, and allow rests to land clearly so the bounce lands naturally.
  • Experiment with dynamics within each piece; a softer opening can make the first chorus more impactful when you build to a fuller sound in the repeat.

How to use it

Program a piece or two from this book on a student recital to showcase personality and stylistic range alongside classical selections. These works are also ideal for informal performances, open studio events, or community outreach contexts where an accessible, high-energy boogie-blues sound resonates with listeners of all ages.

Skills your students will build

  • Reading and executing syncopated rhythms in a blues/boogie context
  • Maintaining steady left-hand ostinatos while playing independent right-hand melodies
  • Playing within five-finger positions with accuracy and musical expression
  • Understanding groove and swing feel through hands-on experience
  • Building confidence in a recognizable musical style

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