Boogie Down: Marching Band Conductor Score & Parts
By Al Jarreau / By Michael Omartian / Arranged by Paul Lavender / Arranged by Will Rapp
Grade: 4
Item: 35-PK00122757
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Boogie Down - Conductor Score (Full Score) | $6.00 | |
| Boogie Down - Flute/Picc./Oboe | $6.00 | |
| Boogie Down - Bb Clarinet | $6.00 | |
| Boogie Down - Eb Alto Sax | $6.00 | |
| Boogie Down - Bb Tenor Sax/Baritone TC | $6.00 | |
| Boogie Down - Eb Baritone Sax | $6.00 | |
| Boogie Down - 1st Bb Trumpet | $6.00 | |
| Boogie Down - 2nd Bb Trumpet | $6.00 | |
| Boogie Down - 3rd Bb Trumpet | $6.00 | |
| Boogie Down - F Horn | $6.00 | |
| Boogie Down - Bb Horn/Flugelhorn | $6.00 | |
| Boogie Down - 1st Trombone | $6.00 | |
| Boogie Down - 2nd Trombone | $6.00 | |
| Boogie Down - Baritone B.C. | $6.00 | |
| Boogie Down - Tuba | $6.00 | |
| Boogie Down - Electric Bass | $6.00 | |
| Boogie Down - Bells/Vibes | $6.00 | |
| Boogie Down - Xylophone/Marimba | $6.00 | |
| Boogie Down - Snare Drum | $6.00 | |
| Boogie Down - Cymbals | $6.00 | |
| Boogie Down - Triple Toms | $6.00 | |
| Boogie Down - Multiple Bass Drums | $6.00 | |
| Boogie Down - Aux. Percussion 1 | $6.00 | |
| Boogie Down - Aux. Percussion 2 | $6.00 | |
| Boogie Down - Timpani | $6.00 |
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Description
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More about this title
About the Composer: Al Jarreau
Al Jarreau built his career on an exceptional ability to blend jazz sophistication with pop accessibility, earning him 13 Grammy Awards and a permanent place in vocal music history. His scat singing technique and rhythmic precision influenced generations of musicians across multiple genres, making him a compelling study for students learning how popular music and jazz vocabulary intersect.
Why we love this
Paul Lavender and Will Rapp have captured the infectious energy of this track without sacrificing the horn licks and shuffle groove that make it instantly recognizable. Marching bands rarely get to perform material with this much contemporary pop credibility, and the arrangement sits perfectly at Grade 4, allowing solid ensemble work to shine without requiring virtuosity.
What to expect
Energetic, smooth, and undeniably grooovy. The arrangement maintains Jarreau's jazz-inflected phrasing and rhythmic sophistication while adapting it to the field sound, creating something that feels both modern and musically substantial. You'll hear audiences light up when the horn licks arrive.
Who it's for
Marching bands seeking contemporary repertoire with genuine musicality and recognizable source material will find this a smart program choice. It works equally well for groups prioritizing accessibility and musicianship as for those wanting to broaden their audiences beyond traditional march and classical contexts.
How to get the most out of it
- Lock the shuffle subdivision early in sectional rehearsals. The super-shuffle feel defines the whole piece, and rhythmic precision here transforms the arrangement from competent to compelling.
- Balance the horn section carefully so licks cut through without dominating the full ensemble sound. These are conversation starters, not volume competitions.
- Let the percussion groove breathe. The rhythm section's pocket is what keeps this arrangement grounded, so resist the urge to push tempo during louder passages.
- Shape the dynamics across the form. Build from the more skeletal opening sections into the fuller statements, creating narrative momentum that mirrors the original recording.
How to use it
Pair this with your traditional opener or closer to create a concert that spans different musical worlds and keeps energy high. It's equally at home as a pop feature in a mixed program or as the centerpiece of a contemporary showcase, and its recognizability makes it a crowd-pleaser without feeling thin.
Skills your students will build
- Super-shuffle rhythm subdivision and execution
- Jazz-influenced articulation and phrasing in popular music contexts
- Balanced horn section blend and voicing independence
- Rhythmic precision within a groove-based ensemble
- Stylistic flexibility when approaching contemporary arrangements