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Bones!: Choral Director's Score

$19.95 USD
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Bones! Cover Image

Bones!: Choral Director's Score

A Toe-Tapping, Foot-Stomping, Knee-Slapping, Hip-Swinging, Hand-Clapping, Finger-Snapping, Spine-Tingling Musical for Unison and 2-Part Voices

By Janet Gardner

Grade: 3 & up

Item: 00-19229

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Description
Oh, no! Sam, the custodian, has accidentally knocked over the famous Charles Cartilage skeleton! All of the disconnected bones have amnesia from the fall and have no clue what they are---or where they belong! Join in the fun and laughter while your students learn about bones, muscles and nerves! Features six singable songs and a "Clatter Band" of students playing rhythm instruments. The whole school can be involved! Recommended for grades three and up. Performance Time: Approximately 25 minutes.

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Additional Details
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-0448-4
ISBN13: 978-0-7390-0448-7
UPC: 038081178745
SKU: 00-19229

More about this title

About the Author: Janet Gardner

Janet Gardner

Janet Gardner studied music education at Concordia College in Moorhead, Minnesota, and spent 33 years teaching elementary general music in Montevideo, Minnesota. Throughout her career, she presented workshops at state universities, served as a clinician at state music conventions, and was recognized as the 1995 Minnesota Music Classroom Teacher of the Year. She also chaired the Minnesota Elementary Composition Contest for six years and earned annual ASCAP awards for her compositions.

Gardner's musicals and choral pieces have been published by Alfred Music, including Bones!, Broadway Santa, The Granny Awards, The Phantom of the Music Room, and Star Search. Since retiring from classroom teaching in 2006, she has continued composing in her home state and remains active as a church musician and arts advocate in her community.

Why we love this

This musical solves the real challenge of keeping upper elementary students engaged while teaching content they actually need to know. Gardner has crafted a score that balances genuine learning objectives with genuine fun, and the structure of six discrete songs makes it manageable to rehearse in real classroom time. The inclusion of a Clatter Band means even students who don't read music can participate meaningfully in the performance.

What to expect

Silly, spirited, and surprisingly educational. The bones stumbling around with amnesia create an absurdist backdrop for learning about the skeletal system, while the six songs keep the energy bright and the content digestible. It feels like a musical that was written by someone who actually spends time with third graders.

Who it's for

Elementary choral directors teaching grades 3 and up who want a full-school musical that doubles as science instruction. This works equally well as a spring concert centerpiece, an assembly program, or a culminating project for a unit on human body systems.

How to get the most out of it

  • Prepare your Clatter Band players during regular rehearsals so they own their rhythm patterns and can execute clean entrances and exits alongside the singers.
  • Use the recorded accompaniment to ground rehearsals early, then gradually shift to live piano as students gain confidence with their vocal lines.
  • Consider the skeletal humor as an invitation to exaggerated staging and props; let students help design bone costumes or movement that reinforces the anatomy content.
  • Build in time to teach the rhythmic spoken parts crisply so they land as comedy rather than confusion during performance.

How to use it

Program this as a standalone spring concert or assembly that can engage multiple grade levels at once. The 25-minute runtime fits neatly into a school performance slot without overwhelming rehearsal schedules, and the flexible instrumentation (rhythm band plus recorded or live accompaniment) adapts to whatever resources your school has available.

Skills your students will build

  • Singing in unison and two-part harmony
  • Reading rhythm notation in simple meters
  • Anatomical terminology and systems knowledge (bones, muscles, nerves)
  • Ensemble coordination and stage timing
  • Rhythm instrument proficiency and ensemble listening

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