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Body and Soul: Jazz Ensemble Conductor Score

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Body and Soul: Jazz Ensemble Conductor Score

Words by Edward Heyman, Robert Sour, and Frank Eyton, music by Johnny Green / arr. Dave Wolpe

Grade: 4.5 (Medium Advanced / Difficult)

Item: 00-JEM02004C

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Description
This is a must-have solo feature for alto saxophone! Dave Wolpe is one of the finest writers ever and this chart is one of his very best. With a Kenton-esque rubato introduction, Dave proceeds with a ballad style but hold on to your reeds, the double time tempo swings hard. With some great ensemble writing, Dave sends the alto soloist off in grand style. After some solo space the chart returns to the ballad tempo leading into two fermatas creating a dramatic ending. This is an outstanding chart! (4:07)

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Additional Details
Series: Premier Jazz Series
Publisher: Alfred Music
Page Count: 16
UPC: 654979028307
SKU: 00-JEM02004C

More about this title

About the Composer: Frank Eyton

Frank Eyton was a British lyricist and composer who became a significant voice in popular song during the mid-20th century. Working alongside composers like Johnny Green, Eyton crafted sophisticated lyrics that paired elegantly with memorable melodies, contributing to the Great American Songbook standards that jazz musicians continue to interpret today.

Why we love this

Dave Wolpe's arrangement captures the essence of a standard while giving it sophisticated harmonic language and structural drama that keeps players engaged across a significant tempo shift. The alto saxophone feature sits front and center without overwhelming the ensemble, and the rubato introduction sets an immediately professional tone that signals to your audience this is serious jazz.

What to expect

Introspective and romantic in the ballad sections, with the alto's rubato phrasing floating over a hushed ensemble backdrop. The sudden upshift into double time swing releases all that restraint at once, building momentum and energy before returning to the intimate, dramatic close.

Who it's for

Jazz ensembles with a capable alto saxophonist ready for a feature that demands both lyricism and technical facility. This works for groups with solid ensemble intonation and a rhythm section comfortable with style and tempo control.

How to get the most out of it

  • The Kenton-esque rubato opening demands space and control from your rhythm section. Let the piano and bass breathe with the soloist; this isn't a metronomic introduction.
  • When the double time section arrives, lock your tempo precisely. The contrast between ballad and swing feels intentional only if both tempos feel inevitable.
  • Balance the ensemble voicings during the ballad passages so the alto soloist can soar without fighting the band for air.
  • The two fermatas before the ending are dramatic punctuation marks. Rehearse those cutoffs so they land with impact rather than uncertainty.

How to use it

Program this as a showcase piece for your alto soloist in a concert featuring a mix of uptempo and ballad selections. The four-minute length and clear dramatic arc make it an ideal closer to a set that needs both musical substance and audience recognition of a standard.

Skills your students will build

  • Rubato phrasing and independence in the rhythm section
  • Reading and executing tempo modulations (ballad to double time swing)
  • Ensemble blend and balance in jazz voicings
  • Solo improvisation space management and response to accompaniment
  • Precision on final cutoffs and fermatas

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