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Body and Soul: Jazz Ensemble Conductor Score

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Body and Soul Cover Image

Body and Soul: Jazz Ensemble Conductor Score

Words by Edward Heyman, Robert Sour, and Frank Eyton, music by John Green / arr. Matt Harris

Grade: 3 (Medium)

Item: 00-43685S

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Description
"Body and Soul" is a great jazz standard. An ideal tenor sax ballad feature, the tempo is 98 BPM, and the tenor has the melody and a written-out improv solo. It's lush, with a nice texture with flugelhorns, and the lead trumpet range is to written G on top of the staff. (3:33)

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081498584
SKU: 00-43685S

More about this title

About the Composer: John Green

John Green (1908-1989) composed "Body and Soul" in 1930, creating one of jazz and popular music's most enduring standards. His melody has become a cornerstone of the jazz repertoire, recorded by countless artists across genres and remaining a vehicle for both singers and instrumentalists to showcase lyricism and interpretive depth.

Why we love this

Matt Harris's arrangement respects the standard's emotional core while giving your ensemble a full, sophisticated sound. The written tenor solo and melody feature make this an excellent showcase for your lead saxophonist, and the flugelhorn color adds warmth that elevates the whole group's ensemble texture.

What to expect

Lush and intimate, this ballad settles into a warm groove at 98 BPM. The flugelhorn textures create a soft harmonic bed beneath the tenor's tender melody and solo work, evoking the timeless elegance of the classic jazz ballad.

Who it's for

Jazz ensembles at the Grade 3 level with a capable tenor saxophonist ready to carry a full feature. Directors programming a standard that works in both concert and festival contexts will find this a reliable vehicle.

How to get the most out of it

  • Balance the flugelhorn section carefully so the warm tone supports rather than obscures the tenor's melody and solo passages.
  • Work the lead trumpet's range strategically around the written G; avoid pushing the high note with tension, since the ballad tempo allows space for breathing and shaping.
  • Shape the tenor's written improv solo by clarifying which sections are melody, which are improvisation, and which are harmonic scaffolding; this distinction helps the soloist breathe musically.

How to use it

This works beautifully as a contrast piece in a jazz concert, offering a lyrical interlude between more energetic or complex tunes. The contest/festival suitability also makes it a smart choice for spring programming when you want to balance your ensemble's technical range.

Skills your students will build

  • Ballad phrasing and breath control at a moderate tempo
  • Leading a small group feature while maintaining ensemble blend
  • Reading and executing a written-out improvisation solo with musicality
  • Balancing warm, blended textures with clear melodic projection

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