Blues for Mr. K: Jazz Ensemble Conductor Score & Parts
By Mike Pendowski
Grade: 4
Item: 98-DJE4073
$50.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Blues for Mr. K: Score | $5.00 | |
| Blues for Mr. K: Optional Flute | $7.00 | |
| Blues for Mr. K: Soprano Sax | $7.00 | |
| Blues for Mr. K: Alto Sax 1 | $7.00 | |
| Blues for Mr. K: Tenor Sax 1 | $7.00 | |
| Blues for Mr. K: Tenor Sax 2 | $7.00 | |
| Blues for Mr. K: Baritone Sax | $7.00 | |
| Blues for Mr. K: Trumpet 1 | $7.00 | |
| Blues for Mr. K: Trumpet 2 | $7.00 | |
| Blues for Mr. K: Trumpet 3 | $7.00 | |
| Blues for Mr. K: Trumpet 4 | $7.00 | |
| Blues for Mr. K: Trombone 1 | $7.00 | |
| Blues for Mr. K: Trombone 2 | $7.00 | |
| Blues for Mr. K: Trombone 3 | $7.00 | |
| Blues for Mr. K: Trombone 4 | $7.00 | |
| Blues for Mr. K: Guitar | $7.00 | |
| Blues for Mr. K: Piano | $7.00 | |
| Blues for Mr. K: Bass | $7.00 | |
| Blues for Mr. K: Drum Set | $7.00 |
Parts Added to Cart!
Description
Here's an eight-bar blues that features piano, tenor, and/or trumpet. The lead sax line can be covered by soprano or an optional flute part. The ending is written to feature your drummer in a wild solo fill.
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Additional Details
Series:
FJH Advanced Jazz Ensemble
Publisher:
The FJH Music Company, Inc.
SKU:
98-DJE4073
More about this title
Why we love this
Pendowski's blues hits that sweet spot where students get real jazz fundamentals without getting bogged down in complexity. The eight-bar form is tight enough to teach blues vocabulary clearly, and the drummer's solo feature at the end gives your rhythm section a genuine moment to shine rather than just keeping time.
What to expect
Straightforward, grounded, and swinging. This is a no-frills blues that lets the natural groove of the form do the heavy lifting, with just enough space for your soloists to find their voice.
Who it's for
Intermediate jazz ensembles ready to dig into blues language as a foundational skill. This works for groups with 1-2 years of jazz experience who need a short, manageable vehicle for learning 12-bar blues harmony and solo phrasing.
How to get the most out of it
- Let the drummer know the solo fill is their stage. Rehearse the groove leading into it so the transition feels inevitable, not like someone suddenly handing them the baton.
- Balance the melody line across your lead options. If you're doubling soprano or flute with tenor sax, listen for who cuts through the piano without masking the other voices.
- Ground the blues feel in the piano comping. A strong left hand from your pianist will lock the whole band into that pocket faster than any count-off.
How to use it
Pair this with a longer jazz suite or big band chart on a jazz-focused concert to show range without overloading the set list. It's also a solid addition to a repertoire rotation during the winter or spring season when you're building ensemble cohesion.
Skills your students will build
- 12-bar blues form and harmonic progression
- Jazz comping and voicing on piano
- Blues soloing and phrasing for wind instruments
- Groove and pocket awareness in rhythm section
- Responding to and supporting ensemble soloists
- Drum fill execution and solo development