Blue Moon Sheet Music Preview

Blue Moon: SATB Choral Octavo

As performed by Lorenz Hart / As performed by Anne Raugh / As performed by Richard Rogers / Arranged by Deke Sharon

Item: 35-DS00308460

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00308460

More about this title

About the Artist: Lorenz Hart

Lorenz Hart revolutionized American musical theater by proving that lyrics could be clever, emotionally honest, and dramatically sophisticated all at once. Working primarily with composer Richard Rodgers, Hart crafted standards that remain central to the Great American Songbook, infusing Broadway with wit, vulnerability, and genuine poetic craft. His influence on how we understand song lyric writing in education cannot be overstated; generations of musicians have learned voice leading and melodic phrasing through his melodies.

Why we love this

Deke Sharon's arrangement captures the wistful romanticism of this classic without demanding extreme ranges or technical gymnastics, making it accessible for choirs who want to sing a real jazz standard. The a cappella setting forces singers to listen acutely to blend and intonation, and the familiar melody draws audiences in immediately. It's a piece that works equally well as an opener to establish sophistication or as a closer that leaves listeners with something beautiful they already love.

What to expect

The piece carries the melancholy of unrequited longing alongside quiet hope, the kind of late-night contemplation that Hart's lyrics capture perfectly. There's an intimacy here despite the four-part voicing, a quality that asks your singers to commit emotionally to what they're expressing.

Who it's for

This arrangement suits intermediate to advanced choirs comfortable with jazz harmony and a cappella blend. It works well for groups performing in concert halls, at festivals, or in informal settings where a touch of American Songbook sophistication will resonate with listeners.

How to get the most out of it

  • Shape the melody with phrase contours rather than uniform dynamics; "Blue Moon" lives in the spaces between notes as much as the notes themselves
  • Balance the harmony voices to support rather than compete with the lead, especially in passages where inner voices carry chromatic movement
  • Let the lyrics breathe naturally; over-articulation will undermine the conversational quality Hart's words deserve
  • Experiment with slight tempo rubato in the second verse to reflect the emotional arc of the text without losing rhythmic cohesion in the ensemble

How to use it

Pair this with other jazz standards or mid-century popular music for a cohesive set, or use it strategically in a mixed program as a palate cleanser between heavier classical works. It's also an excellent teaching piece during a unit on American musical theater or Great American Songbook arrangement techniques.

Skills your students will build

  • Jazz harmony recognition and intonation in extended chords
  • A cappella blend and balance awareness
  • Lyrical interpretation and emotional communication through song
  • Reading and singing chromatic voice leading

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