Blinding Lights Cover Image

Blinding Lights: Marching Band Conductor Score

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Blinding Lights Cover Image

Blinding Lights: Marching Band Conductor Score

As Recorded by The Weeknd

Words and Music by Ahmad Balshe, Oscar Holter, Max Martin, Jason Quenneville, and Abel Tesfaye / arr. Victor López

Grade: 3

Item: 00-49229S

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Description
This unforgettable tune from The Weeknd is one of the biggest hits to come along in years. On the charts for over an astounding 62 weeks, Blinding Lights was featured at the 2021 Superbowl. Victor López gives us a driving arrangement perfect for the stands this fall! (1:35)

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 8
ISBN10: 1-4706-4738-9
ISBN13: 978-1-4706-4738-4
UPC: 038081566610
SKU: 00-49229S

More about this title

About the Composer: Ahmad Balshe

Ahmad Balshe is a Swedish-Moroccan music producer and songwriter who has shaped some of the most recognizable pop and R&B tracks of the last decade. Working across multiple genres, Balshe collaborates with artists and composers to craft songs with both commercial appeal and musical substance, demonstrating how contemporary production and songwriting can translate effectively across performance mediums.

Why we love this

Victor López's arrangement captures the relentless drive and modern energy of the original without sacrificing accessibility at the Grade 3 level. The piece gives your band a current, radio-friendly selection that audiences genuinely recognize, making it ideal for football games and outdoor concerts where crowd engagement matters. Directors consistently report that students bring extra focus to arrangements of hits they know and love, and this one delivers the goods without requiring advanced technical writing.

What to expect

Propulsive and electric, with the pulsing synthesizer energy of the original channeled through wind and percussion colors. The arrangement maintains the song's infectious momentum while creating space for marching band sonorities to shine, delivering that satisfying blend of modern pop familiarity with traditional ensemble sound.

Who it's for

Band directors programming Grade 3 marching bands who want current, crowd-pleasing repertoire without compromising musical credibility. This arrangement serves groups performing in stadium settings, pep rallies, and outdoor concerts where immediate audience recognition and high student engagement matter equally.

How to get the most out of it

  • Lock the eighth-note pulse across the ensemble from the opening; this arrangement thrives on rhythmic precision rather than expressive rubato, so conductor and players must maintain unwavering time.
  • Balance the melodic line prominently in the upper voices while keeping accompaniment figures clean and articulate; the power of this tune comes from clarity, not volume.
  • Mark visual cues early for section entrances and dynamic shifts, as the arrangement likely follows the familiar song structure and drummers will expect signposting rather than conductorial surprise.
  • Rehearse the ending independently; contemporary pop arrangements often feature specific rhythmic conclusions or decays that differ from classical models, and your ending will define the listener's final impression.

How to use it

Open a pregame show or halftime set with this piece to establish immediate energy and audience connection; its infectious groove works as a standalone feature or as a bridge between heavier concert selections. Consider programming it early in the fall season when students are still building fundamental ensemble skills, as the Grade 3 difficulty level reinforces precision without introducing technical obstacles.

Skills your students will build

  • Reading and executing consistent eighth-note rhythmic patterns across multiple phrases
  • Balancing melodic prominence with accompaniment clarity in a contemporary idiom
  • Responding to visual conducting cues in pop-structured arrangements
  • Maintaining rhythmic precision without expressive tempo flexibility
  • Translating familiar song structure from recordings into live ensemble performance

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