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Blest Pair of Sirens (At a Solemn Music): Mixed Chorus, Orchestra Accompaniment, Conductor Score & Parts

$75.00 USD
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Blest Pair of Sirens (At a Solemn Music) Cover Image

Blest Pair of Sirens (At a Solemn Music): Mixed Chorus, Orchestra Accompaniment, Conductor Score & Parts

By Charles Hubert Hastings Parry/ Ode by John Milton, from "At a Solemn Musick"

Item: 36-A768002

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Description
Best known as the composer of the anthem JERUSALEM, Charles Hubert Hastings Parry (1848-1918), wrote a number of songs for choir and orchestra. One of these, BLEST PAIR OF SIRENS (AT A SOLEMN MUSIC), came about as the result of a commission by contemporary composer Charles Stanford for a concert celebrating the Golden Jubilee of Queen Victoria. Performed on May 17th, 1887 at St. James's Hall in London, Stanford conducting, it quickly achieved acclaim and has been performed at such events as the Last Night of the Proms and the wedding of Prince William and Catherine Middleton. Instrumentation: 2.2.2.2+1: 4.3.3.1: Timp: Org: Str (9.8.7.6.5 in set): Mx Chor.

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
UPC: 659859301655
SKU: 36-A768002
Instrumentation: 2.2.2.2+1: 4.3.3.1: Timp: Org: Str (9.8.7.6.5 in set): Mx Chor

More about this title

About the Composer: Charles Hubert Hastings Parry

Charles Hubert Hastings Parry (1848-1918) stands as one of the most significant British composers of the late nineteenth century, reshaping the landscape of English choral music through works of both intimacy and grandeur. Though best remembered for the patriotic anthem Jerusalem, Parry's output encompassed a vast array of genres: oratorios, cantatas, symphonies, and songs for choir and orchestra that showcased his gift for lyrical melody and structural sophistication. His influence on subsequent generations of British composers was profound, and his choral works remain central to the repertoire performed at state occasions, festivals, and concert halls throughout the English-speaking world.

Why we love this

Parry crafted a work that balances ceremonial grandeur with genuine emotional depth, and the orchestration provides rich harmonic support without overwhelming the voices. The piece has proven its staying power across more than a century of significant occasions, from royal celebrations to major concert events, which speaks to both its technical solidity and its ability to move listeners. Directors appreciate how the text and music reinforce each other: Milton's poetry finds a partner in Parry's lyrical gift for setting words with clarity and purpose.

What to expect

The music unfolds with a sense of reverence and lyrical beauty, unfolding through rich harmonic progressions that feel both stately and deeply human. Parry's orchestration creates an enveloping sound world; the strings shimmer beneath the choir while the brass adds warmth and weight to key cadential moments. There is an unmistakable quality of occasion here, yet the emotional authenticity of the melodic writing keeps the work from feeling merely ceremonial.

Who it's for

This work suits advanced mixed choirs with access to orchestra or a capable chamber ensemble, as well as music directors preparing programs for ceremonial occasions, concert series, or festival contexts. Singers should have solid intonation in a cappella sections and the ability to maintain vocal line integrity within lush harmonic textures. The piece serves equally well for formal concert programming and special events where a touch of Victorian grandeur and British musical tradition enriches the occasion.

How to get the most out of it

  • Establish clear communication between conductor and orchestra during rehearsals; the string writing is lush and can easily pull focus from the chorus if balance isn't intentional.
  • Shape the melodic line in the choir parts with long-line phrasing rather than phrase-by-phrase breathing; Parry's harmonies are built on sustained motion through the texture.
  • Pay special attention to diction in the text passages; clarity of the English text is essential when performing for audiences who will follow the meaning and emotional arc.
  • Use the organ part to anchor harmonic transitions and provide security for the choir during key modulations, particularly in passages where the orchestra texture thins.

How to use it

Program this as a centerpiece for an all-Parry concert or as the climactic work on a British choral music festival program, where its architectural scope and emotional generosity will have maximum impact. It works beautifully as the concluding major work in a concert that begins with smaller chamber or a cappella pieces, providing a natural arc toward grandeur. The piece is equally at home in commemorative or state occasions where its tested history of performance at significant events adds dignity to the programming.

Skills your students will build

  • Sustaining long musical lines through extended harmonic progressions
  • Balancing choral tone with orchestral texture and dynamic support
  • Interpreting Victorian-era harmonic language and text-setting conventions
  • Blending voice parts within complex four- or five-voice writing
  • Maintaining intonation and ensemble cohesion in passages with chromatic voice leading

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